Tag Archives: post punk

RAYON – Shopping / Running

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Rayon’s ‘Colour’ album – released in October 2022 – presented twelve tracks of pleasingly angular indie/post rock throughout a vinyl friendly forty minutes. Although there were times when main man Eric Sabatino’s work couldn’t claim to be one hundred percent original, the best bits of that long player were hugely entertaining. The highlights really showed off a band who could work a great riff: ‘Canada’ attacked with a harsh guitar sound coupled with a funky bassline, sounding like a deep cut from XTC’s ‘Drums & Wires’ before introducing a faintly psychedelic vocal; ‘Come Along’ mixed classic indie rock riffs with a finely tuned sinister edge, occasionally sounding like Robyn Hitchcock fronting the early 80s Cure, and ‘Blue Nights’ applied a fierce jangle and contrasted that with a vocal that was far more attuned with a dream pop sound, creating something surprisingly effective.

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THE REAL GONE SINGLES BAR #137

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, we bring you a genuinely sharp sounding piece of post hardcore from Brighton, a well arranged slab of stoner metal, the overdue return of a goth influenced act, a trio of very different singer songwriters…and more. As always, we hope you find something new to enjoy.

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THE REAL GONE SINGLES BAR #136

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. Following the festive selection, this collection of tracks returns to “regular programming”, with a slab of garage rock, a pleasingly subtle work from an Irish singer songwriter, a previous release given a huge remix, a perfect pop punk track, and more besides. As always, we hope you find something new to enjoy!

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CLONE – Care To Try? EP

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The name Clone might not seem instantly familiar, but this Brooklyn-based post punk act comes with an interesting DNA. Frontman LG Galleon has previously released works with Dead Leaf Echo, Gregg Giufree (not to be confused with Angel legend Gregg Giuffria!) has links with Pilot To Gunner, and the Clone live act includes some extra power courtesy of Namesake’s Paul Liziragga and Alex Cox of The Veldt (the shoegaze legends who finally saw their shelved 1989 debut recording receive enthusiastic press upon its official release in 2024). This musical gathering also attracted the attention of producer Martin Bisi, whose CV includes albums by Sonic Youth, John Zorn, Swans, and…Herbie Hancock.

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Fall Sound Archive Vol. 11 – The Unutterable

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In the early 90s, The Fall hit upon a relatively commercial sound on albums like ‘Extricate’ and ‘The Infotainment Scan’, but as the decade wore on, they found themselves somewhat floundering. Unable to capture a distinctive sound, at least beyond Mark E. Smith’s trademark drawl, their albums became a little hit and miss. 1995’s ‘Cerebral Caustic’ traded in their sharper edged approach for something far more lo-fi; the swiftly delivered ‘Light User Syndrome’ sounded like Fall-by-numbers (although they were great on that tour), and 1997’s ‘Levitate’ abandoned most of the band’s post punk and garage tendencies for extra synths and a barrage of dance rhythms, creating the ultimate opinion-divider. The best bits of 1999’s ‘The Marshall Suite’ reminded everyone that the band were still capable of delivering a few bangers (‘Touch Sensitive’ would go on to become one of The Fall’s most enduring tracks), but by the turn of the millennium, it began to seem like The Fall mightn’t deliver a “classic” album ever again.

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