Taking in a range of influences on her debut EP ‘Loop’, singer-songwriter Ella Squirrell creates four tracks which are heavily rooted in the electronic with some hefty beats, but always retain elements of the human spirit. The core of the music borrows heavily from late 90s trip-hop and electronica, while her open and sometimes biting lyrical approach owes more to the candid singer-songwriters like Joni Mitchell and Carly Simon from decades earlier. In this respect, her work should appeal to devotees of Sarah McLachlan, especially those who have a liking for her work with electro act Delirium. Ms Squirrell, of course, doesn’t just recycle these influences – as with any singer-songwriter dealing with the more personal, huge chunks of her own emotion and spirit make up the heart of the material.
Tag Archives: pop
Queen 80s & Beyond poll results + video gallery
Real Gone’s first Queen poll, looking at the band’s 70s work, was a roaring success. Hot on its heels, we ran a second poll asking you to vote for your favourite songs from the second phase of their much-celebrated career. While similarly successful, the second poll showed how much love fans have for band’s singles – in this case, far more so than the album material.
There’s no denying the quality of Queen’s hits between 1980-1991. Aside from those from the “marmite” album ‘Hot Space’ (1982), the band achieved wall-to-wall greatness in the singles department during their stadium years; their singles still in regular radio rotation the world over. …And fans clearly still love them.
DORIS BRENDEL & LEE DUNHAM – Upsidedown World
Doris Brendel first appeared on the music scene as a member of The Violet Hour, a pop-rock band who achieved cult success and will be best remembered as the support band on Marillion’s ‘Holidays In Eden’ tour back in 1991. Since those days, Brendel has worked on an extensive musical career, various solo projects covering many moods and styles, cultivating a cult audience along the way. Teaming up with multi-instrumentalist Lee Dunham for a second time, 2015’s ‘Upsidedown World’ is a mixed bag of treats, clearly designed for different ears to love different things within. It is, however, quite unlikely that most people will like it all.
THE HANGABOUTS – Illustrated Bird
The Hangabouts are a retro-pop trio from Michigan, whose music conveys much love from the mid-late 60s, although often recycled on a smaller budget. Given they’ve got a similar musical mindset to so many great musicians – particularly the acoustic side of Fountains of Wayne and the woozy output of DIY outfit The Paul & John – their 2014 release ‘Illustrated Bird’ should be great. However, due to a limited budget that doesn’t always suit their chosen style, it sometimes falls short of the mark. That’s not to say, however, it doesn’t have some great bits.
I US & WE – Mono EP
Blending elements of dream pop and synth pop, California’s I Us & We create a fairly spacious, yet melancholy sound on their debut EP ‘Mono’. Like Australia’s MNTNS, their core sound is heavy on electronic drones and synths, but thankfully like the more melodic elements of Moby or the very best parts of Depeche Mode’s expansive catalogue, somehow manages to eschew most of the coldness that such humanly detached sounds might conjure if left in the hands of the lesser talented.