Tag Archives: pop

THE REAL GONE SINGLES BAR #10

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual MP3s that have landed in our inbox over the previous few weeks. There’s no shortage of good music in the world, and this week, we probably could’ve put together three selections of the decent singles that have been sent our way. However, here’s another batch of the usual amount, and these eight top flight digital tracks take in the usual array of rock, metal, singer-songwriter fare and even something with a shameless pop core. If you like what you hear, don’t forget to check out the artists’ works further, or perhaps even backtrack to previous Singles Bars you might have missed along the way – there’s even more good music to be discovered!

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HECTOR AND THE LEAVES – Flowers

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Over the years, Tom Hector has shown a massive love for retro sounds on his self-financed recordings. 2016’s ‘Little Bee’ from Hector And The Leaves presented songs that had traces of Brian Wilson and other power pop singer-songwriters lurking within its melodies; the simpler ‘(interiors)’ from the following year teased with a lo-fi sound, but carried timeless influences from Nick Drake and Elliot Smith. At the heart of the material – no matter the style – there’s a man with an old soul, and that old soul ensures 2023’s ‘Flowers’ continues his DIY voyage in a similar vein.

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VARIOUS ARTISTS – Climb Aboard My Roundabout!: The British Toytown Pop Sound 1967-1974

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What is “Toytown Pop”? The label, coined by fans and collectors, refers to the more mundane and child-friendly aspects of the psychedelic era and psych pop movements. It is chiefly concerned with everyday life, shops, buses, swings in the park, and has an obsession with being home in time for tea. In terms of lyrical concerns and overall concepts, you’d be hard pressed to find anything more…1967.

For those who aren’t regular visitors down the rabbit holes of cult 60s pop, The Beatles’ ‘Penny Lane’ is a good example of this musical niche with its busy narrative driven by people and casual observations, and to a lesser extent, the optimistic tone and bounce of ‘Good Day Sunshine’ could also fit the remit. Obviously, due to licencing agreements and costs – as usual – you won’t find The Fab Four anywhere on ‘Climb Aboard My Roundabout’, but Grapefruit Records has unearthed a whole world of other treats to ensure that this three disc set is a very comprehensive journey through Toytown, and is never less than interesting.

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HOWARD JONES – Live In Japan

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The huge box set reissue of Howard Jones’s ‘Humans Lib’ was a real treat for fans. A multi format set, it presented the classic album with a wealth of bonus materials, including unreleased demos, alternate versions and radio sessions. The biggest draw, though, came from its visual content. The lavish set finally gave a DVD release to the long out of print ‘Live In Japan’ VHS, much to the delight of almost everyone.

Unfortunately, that box was both prohibitively expensive and a really limited run, meaning that only hardcore fans would get to see that footage in decent quality, and in some cases for the first time in many a long year. Luckily, the 2022 release ‘Live At The NHK Hall, 1984’ comes to the rescue, since it offers the same film at an affordable price, but improves upon the previous release by presenting it alongside an uncut version of the audio soundtrack.

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ROY SHAKKED – Throwback

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Roy Shakked’s ‘Know Nothing’ EP (released in 2018) provided a superb look into his idiosyncratic and varied writing styles. By pulling influence from Eels, Jack White and Paolo Nutini, it covered a broad musical range, but still sounded like the work of a man with his own set of talents. He then threw a massive curveball by releasing an album’s worth of waltzes (fittingly titled ‘Waltzes’) which blended some low key pop with piano pieces, and bits that sounded as if they were written with soundtracks in mind. For the more patient listener, it was an album that offered a few cherry-pickable treats, but it suggested that Shakked always made music for the love of the creative process rather than chasing easy fame.

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