DEECRACKS / THE MANGES – Split EP

DeeCRACKS’ 2021 LP ‘Serious Issues’ was by far the best of their career. On that LP, the vocals were still a little too aggressive for their often melodic punk sounds, but the Austrian band’s command of a riff and a catchy hook was still a cut above their earlier work, and a lot of other European punk acts. It was the kind of record that was capable of reminding people that Euro punk was far from dead, and even with DeeCRACKS dropping into some very familiar riffs on occasion, the speed and energy within the material suggested the band had a huge belief in the material.

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THE JACKLIGHTS – Womanchild / Underachiever

In terms of releasing their debut EP, the timing couldn’t have been any more unfortunate for The Jacklights. The Covid pandemic meant that they couldn’t put in the promotional hard yards in front of a home crowd; instead they were forced to rely on word of mouth and strong online press support to get things rolling. However, those who found the band around that time seemed very supportive, and with good reason. Although a few of the vocals were a little loose, the release showcased a solid band whose stock sounds – falling between classic, US-centric college rock and 90s punk – really delivered in terms of chunky melodies.

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THE DOLLYROTS – Hey Girl / I Touch Myself

Over the years, The Dollyrots have carved out a fine sound blending power pop melodies with pop punk-ish riffs. Their albums are home to some really sugary tunes, but thanks to some taut bass work and a constant nod back to the 90s and bands like Other Star People and The Muffs, their guitar driven pop/rock has never felt completely saccharine.

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THE PIGEON BOYS – Detox/Retox

Following a string of digital singles and an EP, this album by Austrian punks felt a long time coming. Not only because the gradual release of singles built up interest slowly, but also because the arrival of the Covid-19 pandemic delayed the planned recording of the bulk of the material. Better late than never, The Pigeon Boys finally released their first full length in the summer of 2022.

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FIRE SALE – A Fool’s Errand / We Dance For Sorrow

On paper, this two track release from Fire Sale immediately sets a high benchmark in terms of punk. The band features bassist Matt Riddle (ex-No Use For A Name/Face To Face), guitarist Chris Swinney (ex-Ataris) and Ann Beretta’s Pedro Aida on second guitar. Along with drummer Matt Morris, that’s one hell of a line-up, and with the material recorded at the legendary Blasting Room recording studio and packaged in artwork supplied by NOFX/Lagwagon sleeve designer Mark deSalvo, there’s automatically a great expectation even before any music is heard.

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