With the seventies drawing to a close and with three successful albums released under the Rainbow moniker, the ever-restless Ritchie Blackmore looked to make changes. In a quest to push Rainbow towards a more commercial and radio-friendly direction a big shake up occurred, resulting in the departure of three of the band’s five members. While Cozy Powell retained his position on drums, a quest for a new bassist saw the appointment of Blackmore’s old Deep Purple mate Roger Glover, while the role of keyboard player was filled by future Ten/Deep Purple member Don Airey. Certainly the most devastating loss was that of Ronnie James Dio, who supposedly had no interest in Blackmore’s new vision for the band. Since a talent like Dio’s comes along once in a lifetime, perhaps other musicians would have fought to reach a compromise; but in any band featuring Ritchie Blackmore, Blackmore’s decision is final.
Tag Archives: melodic rock
BOSTON – Life, Love & Hope
Boston’s self-titled debut album is rightly heralded as a melodic rock classic. The combination of Brad Delp’s soaring voice, a wall of vocal harmonies and the distinctive guitar work of Tom Scholz has allowed the album to (almost) transcend the ages. While it doesn’t necessarily sound timeless, it certainly still sounds like an album recorded some time after its mid-70s origins, such is its sharpness. The band’s next works (1978’s ‘Don’t Look Back’ and 1986’s ‘Third Stage’) are almost as good, thanks to Scholtz and his obsession with perfection. After a long delay, the band returned in the mid 90s for ‘Walk On’, a decent selection of pomp-driven songs with Orion vocalist Fran Cosmo doing a grand job of replacing Brad Delp on vocals. It mightn’t have quite been up there the Boston of ’76, but then it didn’t pretend to be – it was a good enough record in its own way. From this point on, very little was heard from the Boston camp until the release of ‘Corporate America’ (featuring both Delp and Cosmo alongside Sholz) in 2002. It was a record which gathered mixed reviews. Too much time had passed.
ANGELICA – Thrive
Since this debut record from Angelica Rylin pays homage to her childhood heroes Robin Beck and Ann Wilson, it’ll come as no surprise that the album, therefore, ploughs a well-worn furrow of melodic rock. With Frontiers Records regular Daniel Flores handling production duties/drums/song-writing and other regulars Alessandro Del Vecchio and Robert Sall also having a hand in proceedings, the whole thing feels like an all-chums-together affair. There’s nothing wrong with that per se, but obviously the combination of a familiar team and a rigid musical blueprint makes ‘Thrive’ feel wholly predictable. So, given that this album breaks absolutely no new musical ground whatsoever, why should you check out Angelica, when there is so much other rock music out there vying for your attention?
IMPERA – Pieces Of Eden
In 2012, session drummer JK Impera’s eponymously named band released ‘Legacy of Life’, a solid melodic rock offering also showcasing the talents of much-loved guitarist Tommy Denander and European vocalist Matti Alfonzetti (best known to most as the frontman of Myke Gray’s Jagged Edge in the early 90s). With a first class guitarist and a great singer (who rarely gets his due for having a voice that’s held up extremely well over the years), the project had the right ingredients to please many classic rock fans. While the songs were of a tried and tested formula, most of the material was strong – and Alfonzetti’s voice just gave the band an extra edge, often missed from so many other “second-tier” melodic rock acts.
WHITE LION – Return Of The Pride
Back in the late 80s/early 90s, White Lion released a couple of great albums in ‘Pride’ and ‘Mane Attraction’. By more modern standards, the production on ‘Pride’ is a tiny bit trebly (okay, maybe a lot trebly), but it had the songs to back up any technical shortcomings. A couple of ‘Mane Attraction’s songs were noticeably weaker – and they even padded out the disc with a re-recording of ‘Broken Heart’ (the original can be found on their 1987 release ‘Fight To Survive), but in many ways, it was a perfect swansong. Vocalist Mike Tramp’s follow up project Freak Of Nature attracted a solid fan base, but the more alternative leanings in the band’s sound turned off some more “traditional” rock fans, leading to decline in record sales. His later solo album ‘Capricorn’ was more than decent, but by this point Tramp’s sales figures were practically non-existent compared to former glories. In that respect, it’s almost understandable as to why by 2008 Frontiers Records would want Tramp to release another White Lion album.