In the mid-90s, lo-fi producer Conrad Uno was a busy man. He put his name to various Mudhoney projects, produced the Supersuckers, Fastbacks, Zeke, The Groovie Ghoulies and countless other bands. He founded the PopLlama record label. In terms of commercial success, however, he’s probably best known as the man who produced the debut album by novelty rock band The Presidents of the United States of America, a record that spawned sizeable hits in ‘Peaches’ and ‘Lump’.
Tag Archives: garage rock
New video from Brockley Forest
Real Gone favourites Brockley Forest have a new video out for their track ‘Rubicon’, which you can view in full below.
BROCKLEY FOREST – The Die Has Been Cast EP
They’ve been friends forever; they’ve toured America; they’ve supported Honeyblood and released a couple of excellent EPs – a self-titled disc in 2013 and 2014’s ‘Second Nature’ – and yet after years of sweating it out, Bristol’s Brockley Forest are still very much an underground act. Their third EP, 2015’s ‘The Die Has Been Cast’ not only marks a welcome return, but also showcases a much broader musical spectrum than anything the duo has committed to tape previously.
TREVOR AND THE JONESES – There Was Lightning
Las Vegas based quartet Trevor and The Joneses care not for fashion. Parts of ‘There Was Lightning’ – their debut LP from 2012 – could have been recorded at the same time as The Stooges’ ‘Fun House’, while also showcasing material that’s clearly channelling a lo-fi equivalent of Neil Young’s ‘Zuma’ with occasional nods to the underground of the late 80s. In theory, this sounds like a disjointed mess…and true enough, it doesn’t sound so special the first time you hear it. After allowing the tunes time to mature and to properly sink in, however, you’ll discover an album celebrates retro rock styles in a huge fashion. …And although the material is varied – drawing influence as it does from over three decades of rock – the band have developed a surprisingly confident style.
THE END MEN – Terms & Conditions
Reappearing at the beginning of 2013 after a brief hiatus, Brooklyn’s End Men made a big statement with their second LP ‘Play With Your Toys’. From that point on, there seemed to be no stopping the blues/garage rock duo, with live shows aplenty following – including a recorded appearance at CXCW – and a quickly released compilation of odds and ends filling the gap until their next studio bookings. Released seemingly weeks after their last recordings, ‘Terms & Conditions’ picks up exactly where you’d expect, with the gravel-voiced Matthew Hendershot weaving tales of woe and drunken forboding while percussionist Livia Ranalli plays by the seat of her pants. With such a quick turnaround of material, are The End Men in danger of burning themselves out? On the basis of their 2015 release, it’s a case of anything but…