Finnish prog metallers Sonus Corona rebranded themselves as Sum of Seven in 2021. This new beginning brings great promise, and their current single ‘Voices’ presents a great mix of melody and power which, coupled with a well filmed video clip, certainly deserves to bring them to a wider audience.
The Scandinavians’ talents for great metal have been long documented. Bands like In Flames, Soilwork and Opeth have taken heavy sounds into adventurous and arty places, but very often have managed to underscore their heavier moods with some superb melodies.
Scandinavia has never been short of extreme metal bands, but there’s always room for more! Funeralglade is a new melodic death metal/deathcore band from Finland, trading in huge riffs and a fearsome bottom end. With the members all still in their teens, their debut release ‘May The Funeral Begin’ (released via Inverse Records on August 18th) very much marks the beginning of a musical journey for these musicians, but the presence and weight of their riffs is well beyond their years.
Summer in Finland is short. Very short, apparently. Maybe that’s why this band have chosen a moniker that at once conjures images of nature, only to couple the pastoral visions with the idea of something lacking. There’s no babbling brook here, no salmon leaping…just emptiness. It’s the near perfect choice of name as it turns out, as an empty brook suggests dashing hopes. Maybe it’s those dashed hopes that have made these four Finns so scathing, since Emptybrook’s music attacks with a scowl, a hardened vocal and an echoing reverb that’s deeply unnerving.
Formed in 2010, Helsinki based rockers Damage Limit spent six years plying their trade on the live circuit and released a couple of demo EPs before taking the plunge and entering the studio to record their first professional release. The years of stage toil and sweat shows, too, since ‘Crank’ has an edge that very much sounds like the work of a hard-driving live act. Throughout the seven tracks, the riffs come thick and fast – aided by a reasonable crunch, too – and some of the hooks not only feel like they’ve been honed not just in front of an audience, but created very much with that audience in mind; a more than reasonable translation from stage to disc.