Blue Heron’s debut release, the 2022 double single ‘Black Blood of The Earth’/‘Everything Fades’ introduced a band who really didn’t skimp when it came to a heavy riff. Their sound, a hearty mix of classic doom and sludge, created a monstrous noise; an intensity that made the tracks instant genre classics, despite vocalist Jadd Schickler’s “gargling with concrete” styled approach occasionally making the Blue Heron sound rather more marginal than some of their peers. A swiftly delivered full length release (‘Ephemeral’) really capitalised on their heavy abilities, but also showed off a band who were also capable of a hefty, bluesy swagger, bringing more of a desert rock/stoner quality. Between these bleak moods, Blue Heron appeared to have the full spectrum of heavier stoner vibes covered…and with aplomb.
Tag Archives: desert rock
Listen: SoftSun share new track ‘Daylight In The Dark’
Here’s a real treat from the Ripple Music label. SoftSun are a doom-laden shoegaze/desert rock trio featuring a few familiar faces. Guitarist Gary Arce will be familiar to some as a member of both Yawning Man and Yawning Balch; vocalist Pia Isaksen is a member of Superlynx, and drummer Dan Joeright is a member of Earth Moon Earth. Between them, they’ve created something that sounds almost nothing like their parent acts, immediately making SoftSun an effective side hustle.
RED MESA – Partial Distortions
Red Mesa’s second album ‘The Path To The Deathless’ brought the world a selection of finely crafted riffs during the pandemic lockdown of 2020. At the album’s most melodic, tracks like ‘Death I Am’ injected an extra spookiness into a classic desert rock backdrop; at its most groove laden, Red Mesa blended the driving elements of early Sabbath’s faster offerings with an extra layer of fuzz that looked back to classic Corrosion of Conformity, and when occasionally stretching for heavier sounds, their slow and oppressive riffs showed a love for the mighty Electric Wizard. In terms of taking a bunch of key influences and chucking them into a giant stoner metal stew, it was the kind of album that genre fans would love.
THE REAL GONE SINGLES BAR #33
Welcome back to the Real Gone Singles Bar! For our first SB feature of ’24, we’ve dug deeply into our inbox of mp3s and assorted goodies to bring you another round of quick fire entertainment in our usual style. You’ll find the usual variety, with a dose of melodic punk, some alt country, huge rock and even some progressive black metal to tempt you. With January traditionally being a little quieter for submissions, we’ve taken the opportunity to include a couple of older tunes here that didn’t get covered during the last weeks of 2023, but that doesn’t mean a dip in quality. After all, you can’t put a sell by date on great music! As always, if you feel you have something of interest that you feel would suit a future Singles Bar – or a full review – at Real Gone, please don’t hesitate to get in touch…
The Real Gone End of Year Round-Up 2023
We seem to say it every December, but this year has gone so quickly. We’ve fit a lot into twelve months, of course. Over the last twelve months, Real Gone has picked up a truckload of new followers and regular visitors; we’ve discovered new bands, reconnected with a couple of familiar faces, and given more column inches to old favourites.
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