Tag Archives: desert rock

THE REAL GONE SINGLES BAR #120

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This visit to the Real Gone Singles Bar sees the return of three familiar names, but their current tunes find the musicians sounding as good as ever. There’s always a pleasure in watching artists you admire grow, but in the case of singer songwriter Roisin McCarney, the Scottish singer shares one of her most mature sounding tracks to date. In terms of newer names, you’ll find a genre-bending act from Margate sharing an absolute banger, a couple of underground singer-songwriters, and even a perfectly pitched piece of early 60s inspired, guitar laden pop from Australia. As always, it’s been an absolute pleasure to pick the best singles for sharing, and we hope you find something new to enjoy.

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YAWNING BALCH – Volume Three

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The first two albums by Yawning Balch – the side project featuring members of Yawning Man with Fu Manchu guitarist Bob Balch – yielded some fabulous music. The lengthy, improvised jams filled a pair of records with brilliant, almost ambient desert rock sounds; a whole world of sonic textures that really capture a moment, but really allow listener to be really drawn in by the band’s almost cinematic qualities.

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ROPE TRICK – Red Tide EP

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Rope Trick’s 2017 release ‘Red Tape’ shared some great riffs, but its DIY production sound and some decidedly iffy vocals made it the kind of listen that would only appeal to the more committed stoner rock fan. Nevertheless, looking beyond the obvious flaws, Rope Trick’s semi lo-fi world of stoner grooves and garage rock crunch had an obvious potential.

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SOFTSUN – Daylight In The Dark

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A new name for 2024, SoftSun are a doom-laden shoegaze/desert rock trio featuring a few familiar faces. Guitarist Gary Arce will be known to some as a member of both Yawning Man and Yawning Balch; vocalist Pia Isaksen is a member of Superlynx, and Dan Joeright is the drummer with Earth Moon Earth. Between them, they’ve created something that sounds different enough from their parent acts to make SoftSun an immediately effective side hustle.

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BLUE HERON – Everything Fades

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Blue Heron’s debut release, the 2022 double single ‘Black Blood of The Earth’/‘Everything Fades’ introduced a band who really didn’t skimp when it came to a heavy riff. Their sound, a hearty mix of classic doom and sludge, created a monstrous noise; an intensity that made the tracks instant genre classics, despite vocalist Jadd Schickler’s “gargling with concrete” styled approach occasionally making the Blue Heron sound rather more marginal than some of their peers. A swiftly delivered full length release (‘Ephemeral’) really capitalised on their heavy abilities, but also showed off a band who were also capable of a hefty, bluesy swagger, bringing more of a desert rock/stoner quality. Between these bleak moods, Blue Heron appeared to have the full spectrum of heavier stoner vibes covered…and with aplomb.

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