VARIOUS ARTISTS – Shake That Thing: The Blues In Britain 1963-1973

The British blues boom was arguably one of the most important movements in musical history. Not only did it launch the careers of various guitar heroes – players much loved for decades afterwards – but the guitar driven sounds also paved the way for a whole universe of rock music. With that in mind, it’s interesting how few compilations have celebrated the British blues scene. Aside from Grapefruit Records’ excellent ‘Crawling Up A Hill’ box set, any other releases have been label specific, leaving a huge gap in the market for a set to explore some of the more niche sounds from the era.

‘Shake That Thing: The Blues In Britain 1963-1973’ is perfect in that regard. This three CD set from Grapefruit casts a much wider net than their earlier box set, but never loses site of its core objective. Bluesy sounds are out there, front and centre, at all times, but it also looks beyond the usual suspects to celebrate blues laden tunes shared by other singer songwriters, folkies and rock bands during a hugely transitional period.

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MERV SPENCE – Phenomena Recovered

When you think about musicians associated with classic rock bands, the name Merv Spence is unlikely to be one of the first that’ll spring to mind. In fact, there are several hundred vocalists that’ll be part of the fan consciousness before this Irish vocalist even gets a look in. …And it’s with good reason. He first made inroads into a career in 1982 when he replaced Pete Goalby in Trapeze, but that association imploded by the end of the year when guitarist Mel Galley left to join Whitesnake, putting an end to a great band. Spence recorded an album with Trapeze that year, but it remains unreleased. He later joined Wishbone Ash, an association which was again brief, but yielded one album – 1988’s ‘Raw To The Bone’. By that point in their career, Wishbone were past their best and, as such, it was a release that was only really heard by the die-hard fans.

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STRAWBS – The Magic Of It All

The Strawbs’ 2021 release ‘Settlement’ featured some fine music from the veteran musicians. Decades into their journey, it was possible for fans to experience Dave Lambert channelling Ant Phillips via some fine acoustic work, and moments where floaty, prog-ish arrangements lent the best material a thoughtful quality that really suited the band. Unfortunately, most of the album was rendered borderline unlistenable due to terrible vocals from Strawbs main man Dave Cousins. At best, he sounded like a ravaged old folkie – his voice worn by the years of musical storytelling; at worst, an asthmatic goblin, gargling with intent to sabotage the work laid down by his musical cohorts. It was the kind of album that all but the most diehard of Strawbs fans would spin three times and move on.

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MELVINS – At The Stake: Atlantic Recordings 1993-1995

After Geffen Records scored an unexpected commercial and financial success with Nirvana’s ‘Nevermind’ album in 1991, other major labels began to scour the Seattle area, convinced that the city and its surrounding towns would result in a similar brand of ‘Teen Spirit’. By 1993, around the time that Seattle Fever had reached its peak, pretty much every band who’d been name checked by Kurt Cobain or other important figures had made the leap from indie cool to bigger things. Even supposed second division acts like Tad found themselves signed to major contracts. Looking back, it could be argued that a lot of these bands didn’t quite have the impact the labels had desired, but these major deals certainly elevated their profiles.

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VARIOUS ARTISTS – We’re An American Band: A Journey Through The USA Hard Rock Scene 1967-1973

Throughout the late 60s and early 70s, the landscape of rock music shifted. Over the course of five or six years, psychedelia gave way to hard rock, and a heavier approach to both blues and rock gave birth to a sound that would eventually be considered the birth of heavy metal. ‘We’re An American Band’, a 3CD set from Cherry Red’s retro subsidiary Grapefruit Records, charts these musical changes on the US rock scene, bringing together various key tracks and fantastic album cuts. In doing so, it ventures far deeper than your average compilation, despite presenting several very familiar names.

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