AFFINITY – Affinity

Back in those pre-internet years, it was often difficult to hear really rare albums. There were a whole world of psych, jazz rock and proto-hard rock LPs that were regularly mentioned in Record Collector magazine that seemed shrouded in mystery. Often issued on the Philips, Deram, Major Minor and Vertigo labels, discs by Head Machine, Elias Hulk, The Open Mind and Second Hand – all now available on CD – were almost the vinyl collector’s equivalent of the Holy Grail.

Another such disc, the one and only album by Affinity, was another highly praised gem from the dawn of the 70s that, at one time, seemed destined to languish in the hazy, distant past. In the mid 90s, a decent vinyl pressing could fetch £40-£50; hardly an impulse purchase, should you stumble across one. A CD repressing from Repertoire Records in 1993 finally meant the album became accessible to an audience who missed the band during their brief lifetime, but a lack of UK release meant this disc was almost as elusive. It wasn’t until 2002 that the Affinity LP was given a long overdue CD release on home turf, but that eagerly awaited edition on Angel Air Records was sourced from under par materials.

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VARIOUS ARTISTS – Think I’m Going Weird: Original Artifacts From The British Psychedelic Scene 1966-1968

Since the label’s launch in the late noughties, Grapefruit Records has worked tirelessly to bring top quality reissues to fans of cult 60s and 70s sounds. Thanks to their archive digging skills, previously unaffordable vinyl albums by Skip Bifferty and Picadilly Line were no longer an extortionately priced mystery; Jeff Lynne’s early years with The Idle Race were reappraised, and dark psych combo Zior reached the ears of many people for the first time.

For all of their well loved archive releases, it’s a trilogy of psych themed box sets featuring hits, misses and rarities from 1967 (‘Lets Go Down And Blow Our Minds’), 1968 (‘Looking At The Pictures In The Sky’) and 1969 (‘Try A Little Sunshine’) that best advertises the label’s eye and ear for great reissues. With that in mind, it seems only natural that the label would raid the archives of psychedelia’s peak years for their hundredth release, and ‘Think I’m Going Weird’ is Grapefruit’s biggest and most adventurous release to date. With over 120 tracks spread across five discs, a larger format book sharing a wealth of important historical detail and rare photographs (with no obvious overlap from the previous 60s psych sets) this British take on ‘Nuggets’ is something of a jewel in the label’s crown.

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VARIOUS ARTISTS – Breakthrough: The Underground Sounds Of 1971

According to music historian and author David Hepworth, 1971 is “rock’s most exciting year”. There are a lot of music fans of a certain age who would agree with that: those keen record buyers who still treasure well worn copies of Uriah Heep’s ‘Salisbury’, Caravan’s ‘In The Land of Grey & Pink’, Hawkwind’s ‘In Search of Space’ and Rory Gallagher’s ‘Deuce’; people who’d hit their early twenties in time to hear Pink Floyd’s ‘Meddle’ and Emerson, Lake & Palmer’s ‘Tarkus’ with fresh ears when the sounds of those hugely indulgent arrangements sounded like the future; and certainly not forgetting those for whom the first three Black Sabbath albums heralded the arrival of a whole new genre, but arguably hit perfection in ’71. There’s a lot of further weight to be added to the argument that 1971 is musically significant, with lesser known albums by Samurai and Jade Warrior propping up the art-rock scene, The Zombies’ Colin Blunstone delivering an absolutely killer solo debut with ‘One Year’ and Phil Collins making his first major appearance with Genesis. All of that barely scratches the surface, of course, but it’s fair to say there was always far more to 1971 than Led Zeppelin’s monolithic fourth platter and ‘Who’s Next’.

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Sepultura box set covering 1998-2009 coming in October

Although a lot of people still associate Sepultura with Max Cavalera, the Brazilian band has been on a long and interesting journey since his departure at the beginning of 1997.  Replacing a much-loved vocalist is always hard, but the band worked tirelessly to keep a high profile and bring their blend of thrash and groove metal to the masses.

The first clutch of albums recorded with Derrick Green may not be as well known as the career defining ‘Chaos AD’ and ‘Roots’ but each one contains several Sepultura classics, and although their Roadrunner Records swansong, ‘Nation’ (released in 2001) sold poorly in relation to previous albums, it captured an angry band still giving their all, and still masters of a tightly wound riff.  It might just be one of the era’s most underrated metal discs. It’s definitely worth re-evaluating, especially if you haven’t heard it in a long while.

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ENUFF Z’NUFF – Never Enuff: Rarities & Demos

Enuff Z’Nuff have never been shy of digging up old recordings in the name of a new release. The band began their “patchwork” approach to making albums as far back as 1996 when their sixth release ‘Peach Fuzz’ was constructed from material that wasn’t considered suitable for their 1994 album ‘Tweaked’ and then fleshed out with a couple of b-sides from 1991. In the case of that album, the old-for-new approach could be easily forgiven, since all of the material was first rate. ‘Peach Fuzz’, against the odds, rivals 1991’s ‘Strength’ as EZ’N’s finest hour.

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