After forming in 1989 – towards the end of melodic rock’s heyday – Seven attracted the attention of the legendary John Parr. With Parr as producer, the Brit AOR band recorded and released two moderately successful singles and subsequently toured with anyone who’d have them. They shared stages with the suitable (Richard Marx) to the questionable (Jason Donovan) and various acts in between . Although there were plans to release an album, the band were subsequently dropped by their record label and soon went their separate ways.
Tag Archives: aor
THE DIFFERENCE – EP
Active from the mid to late 80s, The Difference were a progressive rock band that, while indebted to the usual influences from Rush and the big progressive hitters of the era, also tempered their sound with various other more contemporary influences – ranging from 80s pop and AOR to the tight quirks of The Police. On their 1988 EP, the coming together of older prog sounds with an eighties sharpness results in some very pleasing music that, although hampered slightly by budgetary contraints, still presents some great ideas.
Reviewing the Reviewer: Fraser Marshall talks to Real Gone
There’s an old quote that says “writing about music is like dancing about architecture”. For many, though, writing about music has become an important part of pop culture. From the listening notes on the backs of old jazz albums from the 1950s and the great Rolling Stone essays during rock’s 70s boom, to the punk fanzines and the many essays filling the twenty-first century’s super deluxe box sets, writing about music has taken many forms, which sometimes can enrich a listening experience. A good music review can inspire a new purchase or even make a listener seek out forgotten treasures. Maybe the originator of the “architecture” quote – often believed to be Frank Zappa, but actually traced back to US actor/comedian Martin Mull – didn’t actually want to understand. Whatever, the importance of music scribes hasn’t escaped music fan Fraser Marshall.
In an age where we now have access to more music than ever and the rise of the internet has meant there are now more budding scribes out there, Fraser hit upon a plan… A plan not only to highlight some of the best independent music websites, but to also sit down with prolific reviewers and find out what makes them tick.
Not all good ideas come to full fruition, as Fraser explains below. For the first time, you can now read the full interview Lee Realgone gave Fraser back in June ’16. Our many thanks to Fraser for not only being interested in what we had to say, but also for allowing us to publish the interview at Real Gone.
Maybe one day Reviewing the Reviewer will become a reality but, in the meantime, it’s over to Fraser…
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KEE MARCELLO – Scaling Up
Best known as the guitarist with Europe on their ‘Out of This World’ and ‘Prisoners In Paradise’ albums (released in 1988 and 1991, respectively) Kee Marcello is no stranger to the world of melodic rock. Although his time as a member of hit-makers Europe was brief, his impact on the band’s sound was significant; his soloing on parts of ‘Out of This World’ in particular singled him out as being a gifted player with a great tone. Throughout the next two decades, Marcello worked extensively with other artists, racking up guest credits on dozens of rock albums, as well as embarking on an oft-overlooked solo career.
HARDLINE – Human Nature
Back in the early 90s, the Gioeli Brothers (vocalist Johnny and guitarist Joey) attracted the attention of Journey guitarist Neal Schon. After drafting in Bad English drummer Deen Castronovo and forming Hardline, the band’s debut album ‘Double Eclipse’ was well received by the melodic rock community. It took a full decade until a follow up belatedly appeared and another eight years for the third Hardline album to materialise. You could say that Hardline make Metallica and Guns N’ Roses appear rather prolific. 2016’s ‘Human Nature’ – the band’s fifth studio album – reinstates guitarist Josh Ramos, absent for 2012 offering ‘Danger Zone’. This is something that will undoubtedly please fans, but it does mean that Hardline have featured a different line up on each release. There are some that have long thought that, in this repect, the band are basically Johnny Gioli and whomever he can find at the time of recording – and they’d probably be right – but if Johnny says it’s Hardline, then Hardline it is.