In 2015, Philadelphia’s Travel Lanes released ‘Let’s Begin To Start Again’, a hit and miss album that mixed a few pop and power pop influences with several rootsier John Mellencamp, John Hiatt and Connells styled moods. A few wobbly vocals let the side down from time to time, but there were a few decent tracks to be found within. Five years down the road, their third album only offers eight tracks in a very succinct twenty nine minutes, but its concise approach very much suits the band. Compared to previous Travel Lanes works, ‘On’ is far more consistent in terms of quality.
With the world in turmoil and people in isolation, there’s a good chance you have far more on your mind right now than “What are the best albums of 2020 so far?”…but we’d be happy to tell you that House Above The Sun’s ‘Time I Got Goin’ EP is one of the finest releases to emerge from the year’s first quarter.
Three years after their ‘Five Hours North’ album, House Above The Sun make a very welcome return with ‘Time I Got Goin”, a five track EP that explores the full range of their beloved Americana sound. If you’re at all familiar with the band, ‘Time I Got Goin” does exactly what you’d expect, but if anything the new songs feel much warmer and more professional than before. One track, in particular, could be their best song to date.
Somewhere between the works of Martin Rossiter, Old House Playground, The Bad Seeds and…The Connells lies the music Morning Bells. Purveyors of the finest thoughtful indie pop/rock, this Raleigh based collective is perhaps a little restless on their ‘Fall From The Velvet Sky’ EP. The five featured tracks wander a fine line between the gothic and soulful, between the honest and mournful, before ending up somewhere unexpected. The band’s way of working on the hoof and creating music borne within a moment means that sometimes, stylistically speaking, there’s a huge variation in sound. However, whether tapping into sad sounds or something a little more lively, they often create interest from the beauty of their unease.
Best known as being one of the creative forces behind Nashville’s The Great Affairs, Denny Smith is a prolific songwriter. At any given time, he’s stockpiling ideas for new songs and recording demos. He even seems to instinctively know whether the song idea is destined for his main band, a solo album, or even a side project where oddities ultimately end up.
Various stripped back ideas formed his first solo album ‘An Overnight Low’ in 2016. It was a record that appeared to reach an audience of twelve people. His second solo record, ‘From The Dark’ gathers more introspective material that wouldn’t all fit with the Great Affairs mould of straight up roots rock, but fans of that band will surely find an easily recognisable voice within the album’s ten songs. As its title suggests, ‘From The Dark’ is an album that often seems concerned with a future unknown and of life’s unexpected wobbles. The songs are often presented in a way that its messages come from up close and, in Smith’s own words, are “stripped of artifice”. Although he says the album isn’t about story-telling in the strictest sense, more a case of “getting things off [his] chest as unself-conciously as possible”, From The Dark’ is personal, but rarely feels like a voyage into abject misery. Even at its most heart-wrenching, it appears thoughtful and reflective; you won’t find anything here that’s as laid barely as, say, Mike Viola’s heartbreaking ‘Painkillers’ or Joni Mitchell’s ‘Little Green’.