On the 2014 EP ‘Animal Fat‘, Take Turns recycled many parts of 90s alt-rock and grunge, serving up cheeky nostalgia by the dustcart load, leaving behind a half dozen Pavement-esque gold sounds guaranteed to please listeners hitting those tricky forties at the time of release. The Leeds slackers brought back youth and exuberance aplenty, showed they could wield a guitar and distortion pedal with the best of ’em, but above all – and this being very much the clincher – never sounded lazy when doing so. The love for those whom influenced Take Turns cut through almost every note, making the release seem as if constructed from more than just dusty hand-me-downs
Tag Archives: alternative
HANZO – Hanzo EP
Aside from a brief spell in the early 80s when Stray Cats, The Jets and The Polecats managed to break into the UK top forty singles chart, rockabilly has never truly been in fashion. That said, it’s never been out of fashion, either; over the decades, it’s retro and surprisingly enduring style has caught the ears of many, often providing a genuine alternative to the relative mainstream of punk. Rockabilly’s undying spirit has rarely been captured in better form than on The Long Tall Texans’ 2014 release ‘The Devil Made Us Do It‘ – a record that showed how a band three decades into a career could still sound vibrant and how the attitudes of rockabilly had such potential to cross into punk audiences. When done well, rockabilly can be thrilling; when missing the mark, it can sound too predictable to the point of tiredness, but whatever the outcome, the constituent elements are often the same: hefty rattling basslines; walking grooves from the reverbed guitars and a flippant and sometimes edgy voice.
HELLO BEAR – I Don’t Know…It’s Fun Though, Isn’t It? EP
With several releases behind them, by the summer of 2016 Hello Bear had not only attracted a cult following, but also received positive press from the BBC. Throughout their career, the band’s pop/rock stylings have often been sent off with ridiculous, pointless song titles – the kind that could rival Fall Out Boy and make it almost impossible to remember which tracks are which. From the outside looking in, it would be so easy to accuse Hello Bear of just trying that bit too hard. However, the reality is somewhat different. Ignoring the fluff and the sub-teenage surrealism, their 2016 EP ‘I Don’t Know…It’s Fun Though, Isn’t It?’ presents some of the best guitar pop/power pop to emerge from the UK since Farrah issued their fourth (self-titled) album in 2010.
THE FOREIGN RESORT – The American Dream EP
“Welcome to our faceless lives” implores The Foreign Resort’s frontman Mikkel Jacobsen during ‘Suburban Depression’, a neo-gothic, downbeat look at the dark side of the modern world. Set to music conjured through a remoulded sonic image of the 80s and released as a standalone track via the Danish band’s Soundcloud account, this is both the perfect introduction to The Foreign Resort for unfamiliar ears and an equally perfect homage to the sounds of some thirty years previous. The recycled sounds of a Peter Hook-esque bassline placed against the measured rhythmic pacing of The Cure’s classic ‘A Forest’ forge ahead, as the tale of “your own private hell” unfolds. With the repeated refrain and suggestion that “everybody’s empty now” being bandied around with sheer abandon, some may experience knee-jerk feelings that the track itself is depressing, but nothing could be farther from the truth. There’s a sense of knowing within this band’s gothic throwback of a sound. As the track builds, never ever shifting from the basic rhythm – pulsing, pulsing – and the guitars increase, the bass holds firm and despite the familiarity, The Foreign Resort strike musical gold.
It’s not a fluke, either.
SCANDINAVIA – World Power
London-based indie rock conglomerate Scandinavia are an odd bunch. When they liken themselves to both The Replacements and Hall & Oates and then confront you with music that sounds like neither, well, it’s an interesting proposition to say the leasy. Maybe their own self-chosen comparisons aren’t meant to be direct references, but rather more to assure you that their musical boundaries are wide open – which they very much are: their fourth studio album, ‘World Power’ is nothing if not eclectic.