THE REAL GONE SINGLES BAR #93

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This time out, we’ve got the return of a much-loved pop band, a laid back narrative piece from a very familiar name, a great synth oriented workout, some huge riffs from the Medway area in South East England…and more besides. As is often the case with the SB, there’s no genre snobbery; just a spotlight on things we’ve found interesting. Hopefully, you’ll find something of interest too.

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HISTORY OF GUNS – Little Miss Suicide (25) EP

At the tail end of 1999, round about the time conspiracy theorists thought the turn of the millennium would trigger the end of the world – or at the very least, stop everyone’s computers from working – an independent band from England masquerading under the provocative name History of Guns released their debut EP ‘Little Miss Suicide’. It presented some fairly rough around the edges alternative sounds, drawing from goth, industrial and rock, and would lay the foundations for future endeavours. For those keeping a close ear to the alternative underground, HOG would continue to make interesting musical waves. At their peak of the first part of their career, they were even invited to remix a track by ex-Marillion frontman Fish, bringing together two disparate musical words, proving that – at least to those with open minds – music knows no boundaries.

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Cober Mouth share insanely heavy new single ‘Steride’

Cober Mouth are a band who’ve never been afraid of genre-hopping. On their 2024 single ‘Open! Shut…’, they chopped in many of their already familiar alternative elements for swathes of rap and R&B, and on their current track ‘Steride’, they introduce heavy synth loops and an almost industrial level of heaviness to their cornucopia of noise.

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Listen: Skye share new track ‘What Am I’

A five piece band from the north west of England, Skye take in a wealth of hard rock, prog metal and alternative influences to create a massive hybrid sound.

On ‘What Am I’, the quiet, almost disquieting vocals and busy basslines owe a debt to the mighty Tool; a massive, relatively commercial chorus pulls influence from bands like Alter Bridge and Shinedown, and a really punchy drum sound adds something even harder. These things combined lead to a massive and genuinely impressive slide of contemporary metal that’s guaranteed to build upon the current Skye following.

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