TEENAGE BUBBLEGUMS – Infamia EP

In a pre-lockdown age, Italian punks Teenage Bubblegums hit their audience with a sound that blended huge influences from the early Ramones catalogue with the musical prowess of a couple of 90s Fat Wreck bands. That approach really came of age when the band cranked out ten numbers in under fifteen minutes on their 2019 “long player” ‘In Limbo’. The record’s chunky riffs and dual male/female vocal created something tough yet melodic, sharing something that could be enjoyed by a broad spectrum of Europunk fans.

Five years on, the ‘Infamia’ EP presents a much more mature and rather different sounding band. Allowing themselves room to stretch out, the five featured tracks take almost as long to play through as twice as many songs from the Bubblegums’ past, but the band’s command of a riff is still great.

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THE REAL GONE SINGLES BAR #106

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time out, the SB takes in a little country, a couple of arty numbers that cross genres, and also welcomes back an up and coming singer-songwriter. With the return of a much loved ska band and a great pop number also present, we hope you find something new to enjoy!

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AROUND 7 – A Tale Of Martyrs & Heathens EP

There’s rarely such a thing as overnight success, but at the beginning of 2025, it almost felt as if Scottish pop punk band Around 7 have been lurking on the underground without a “major breakthrough” forever. That’s certainly not a reflection on the quality of their songs or playing abilities, however – the four tracks that make up their ‘A Tale of Martyrs & Heathens’ EP are absolutely superb.

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DRAGON WELDING – The Naughty Step

In terms of musical invention, Dragon Welding’s self titled debut from 2019 was a very interesting record. The duo mixed genres with glee: ‘The Builders’ hit the audience with a huge post-punk riff; ‘One Miserable Summer’ flaunted a lo-fi indie sound; ‘Join The Dots’ took the rock-centric core and applied that to a fuzzy backdrop that sounded like a Queens of The Stone Age cast off, and ‘Lament For Common Sense’ closed everything with a seven minute experimental drone owing a little more to Krautrock. Not that any of this prepared their audience for the sonic experiments that would follow. 2021’s completely instrumental ‘Lights Behind The Eyes’ took in elements of post-rock (‘Liquid’), the intricacies of California Guitar Trio (the brilliant title track) and even something that sounded like Mike Oldfield in a very bad mood (‘On’).

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DETROIT RUN – Defiance Part One EP

Formed in 2022, Liverpool’s Detroit Run began their musical journey in a post-lockdown world at a time when a lot of other new bands were taking their first important steps, or a wealth of should have been established acts were rebuilding the momentum they’d lost from two years away from live audiences. The crowded alt-rock scene didn’t stop these lads making an impression, however. Their early singles ‘Maniac’ (2023) and ‘Prototype’ (2024) were flawless showcases for their sound, sharing a driving, riff based approach, augmented with darkwave synths. Both tracks suggested there would be more greatness ahead, assuming the world could keep itself on an even keel.

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