With a run of enjoyable albums that began with 2015’s ‘Legacy’, Praying Mantis seemed to go from strength to strength over the following decade. Granted, a few of the tracks on that album and its successors (2018’s ‘Gravity’ and 2022’s ‘Katharsis’) were a little heavier sounding, but Chris and Tino Troy’s gifts for a strong melody continued to set the band apart from so many of the second tier acts associated with the New Wave of British Heavy Metal, and when dropping into numbers boasting more of an AOR/melodic rock hook, the band sounded as good as ever.
Category Archives: Album & EP Reviews
A PLACE TO BURY STRANGERS – Change Your God / It is Time
For those who’ve followed the musical progress of New York shoegazers A Place To Bury Strangers since their early days, the band’s gradual, and very natural shift into more commercial sounds has likely formed a very interesting journey. For those who discovered the band a little later, these “commercial sounds” could still feel cold and confronting, but somewhere beneath their distortion and darkness, it should’ve become increasing clear that these Jesus & Mary Chain obsessives were capable of wielding a great tune.
EMBER BELLADONNA – The Grove
The flute has often been a pivotal instrument within prog rock – Jethro Tull have much to answer for, but other bands like Focus and Tempest were never shy of making the instrument a core part of their arrangements – but its gentle sounds aren’t always associated with metal. In that regard, flautist Ember Belladonna’s debut album fills an important gap in the market. Its eight songs dart between different styles – from flawless new age sounds, to deep gothic grooves, to riff driven jigs – but Ember’s deft playing holds everything together with ease, and presents a classic tone that would be just as home on more of a classical oriented outing.
HAWKESTREL – Chaos Rocks
Another branch of the complex and ever evolving Hawkwind family tree, Hawkestrel is a space rock project masterminded by ex-Hawks man Alan Davey. His vision to create an ever shifting line up to bring his music to life has previously involved other Hawkwind alum Nik Turner, Bridget Wishart, Simon House, Huw Lloyd-Langton, Ginger Baker and the mighty Lemmy. The fact that the ex-Hawkwind and Motorhead bassist managed to appear on the debut album three years after his passing flags up the potential problem with the band’s recordings, in that – much like Cleopatra Records’ other “all star projects” – they’re very much cut ‘n’ paste affairs, and don’t always hang together as well as you might hope. However, when they’re good, they’re very good.
VANDEN PLAS – The Empyrean Equation of Long Lost Things
When it comes to prog metal, there are few bands as consistent as Vanden Plas. Like many of their peers, the band are able to deliver the expected heaviness and complexity, but marking them out from others on the scene, these German musicians often display a strong sense of melody. That doesn’t necessarily make their work entirely accessible or commercial – prog metal is always a marginal subgenre on that front – but an on form VP feels so much more streamlined than most. Even when approaching massive concept works like ‘Chronicles of The Immortals’ or the excellent ‘Ghost Xperiment’, their decision to split these epic works into separate volumes made their bombastic traits far more digestible. The likes of the ego driven Dream Theater would’ve likely released each one as a double CD and added more material to create one of their preferred full three hour borefests each time.