STRUGGLE MANIFESTO – EP

SM-EPWhen Napalm Death appeared on the metal scene, they sounded like very little that had come before.  Sure, death metal had already begun to establish itself by the mid eighties, but the scene’s earliest acts – such as the most literally named Death – combined their brutal speed with fretboard assaulting lead breaks and other elements most closely associated with the thrash and speed metal of the day.  Birmingham’s Napalm Death were different: they took that speed and aggression and distilled it to its absolutely purest – and often shortest – essence.  With the speed of death metal, but the suckerpunch delivery of hardcore punk, they laid the foundations for what became grindcore. Their earliest works were so frantic and intense that even the original band only stayed together for one side of an album. That LP – 1987’s ‘Scum’ – remains a landmark for the extreme metal/punk subgenre; with its twenty eight tracks delivered in approximately thirty three minutes (a duration bulked out by the title track stretching beyond two minutes), the album was the aural equivalent of being smacked repeatedly with a brick.

Since those days, grindcore has remained a much-loved – albeit marginal – genre among fans of extreme metal.  Few have surpassed ‘Scum’ for intensity; even Napalm Death themselves sounded like they were recycling by the time it came to recording a follow-up.  On their debut EP, Poland’s Struggle Manifesto come close to re-igniting the sparks of excitement first delivered by ‘Scum’, the vinyl release’s five bursts of sound filling a lightning-fast 3:39, all wrapped up in a Catholic-baiting sleeve.

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FRANK TURNER – The Third Three Years

FT ThirdFrank Turner is one of those artists who just never stops working. If he’s not recording a new album, he’s touring.  If he’s not touring, he’s recording radio sessions.  If he’s not recording radio sessions, he’s touring.  If he’s not touring, he’s recording extra material for b-sides or stand-alone EPs.  It’s no wonder that his solo career has spawned compilation discs of album length every three years.  This traditional taking stock resulted in a third compilation – predictably titled ‘The Third Three Years’ – in the autumn of 2014.  While this particular instalment of FT’s extra-curricular recordings is, perhaps, a little more reliant on covers and live/session material than the previous two anthologies, the twenty one track disc brings plenty of enjoyable material for the Turner fan.

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TAKE TURNS – Animal Fat EP

animal fatMusical fashions are cyclical. Like the 70s became very fashionable in the 1990s, the 1990s, in turn, have had a huge influence on some of the alternative rock sounds of the ’10s. Bands like Yuck can be found recycling the best elements of Sonic Youth and Dinosaur Jr with sheer abandon,  the Bandcamp site is full of similar revivalist acts, while The Pains of Being Pure at Heart found critical acclaim channelling a very definite nineties indie jangle within their sound.  Take Turns, a Leeds based quartet are as guilty for shameless recycling, but like Yuck and Pains, their end sound is so full of love for those who’ve inspired them, it would take a hard heart not to enjoy their nostalgia trip.  On this six song EP, they’re none to shy about flaunting an absolute obsession with Pavement…

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VOICE OF ADDICTION – Modern Day Meltdown EP

VOATen years on from the release of their debut LP and some seven hundred live shows later, Chicago punkers Voice of Addiction show absolutely no sign of getting stale on their sixth release ‘Modern Day Meltdown’.  Its four songs showcase a tough musical style and some rousing choruses, as well as stretching a punky base to allow for a few broader sounding musical passages along the way.  There’s absolutely no indifference within the ranks here; Voice of Addiction set out to grab their listeners from the very first notes…and then keep them.

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QUEEN CHIEF – Queen Chief EP

queen chiefQueen Chief are an alt-rock band led by Justin Lien, a young musician with Native American and Germanic/Nordic roots.  Their debut EP throws the listener in at the deep end with a particularly grand approach. It’s a concept release bringing (in the band’s own words) “a brutally honest, heavy rocking representation of life in the Northwestern United States’ low income suburbs and Native American reservations”.  No messing there.  Just as direct as the attitude driving the band, the tunes themselves pack a huge punch throughout – most carrying a weighty riff; each riff then given a huge send off courtesy of King Black Acid member and producer Daniel Riddle.  The resultant sounds, resting somewhere between post-grunge and a hybrid of psychedelic blues, all come with plenty of volume – even if played quietly – and just as much attitude.

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