Although the shoegaze and dreampop genres will be forever associated with the early 90s, there have been a wealth of great bands and artists keeping the flame alight in the twenty first century. 2024 saw some great releases from Keeley, Set Feux, Sunder, Newmoon, and many others. Even scene stalwarts like A Place To Bury Strangers were hugely prominent with a run of digital singles which gained some very positive online press.
Category Archives: Album & EP Reviews
STATUS QUO – Driving To Glory
During the first decade of what was to become a very long career, Status Quo barely put a foot wrong. Between the release of 1968’s ‘Picturesque Matchstickable Messages’ and 1972’s ‘Piledriver’, the band slowly transitioned from being an “of their time” psych act, into a rock band experimenting with garage and blues based sounds, eventually hitting upon the heads down, no nonsense boogie rock sound that would become their forte. Between 1973’s ‘Hello’ and 1977’s ‘Rockin’ All Over The World’, that sound would see the Quo shifting millions of albums and eventually becoming known the world over. The following decade saw line-up changes and a concession to 80s sounds diluting the band’s power – and, ultimately the quality of their output – but fans were still guaranteed some enjoyable (sometimes even excellent) tunes along the way.
THE SMASHING TIMES – Mrs. Ladyships and The Cleanerhouse Boys
In the promotional materials for ‘Mrs. Ladyships and The Cleanerhouse Boys’, The Smashing Times ask the pressing question: “How many times can you really watch ‘Blow Up’ alone in your room?”, before suggesting that their fifth album presents the work of “your new favourite Mod band”. Although, for the unaware, this might conjure thoughts of discovering an underground phenomenon in the mould of Secret Affair, or perhaps The Len Price 3, the Baltimore band is potentially setting the unsuspecting listener up for a fall. Beyond its grand title and fanciful claims, ‘Mrs. Ladyships…’ offers a world of similar sounds to prior Smashing Times long players, in that any 60s influences are offset by some fairly lo-fi production values.
IAIN MATTHEWS – Thro’ My Eyes: The Vertigo Years 1970-1974
After leaving Fairport Convention rather prematurely in 1969, singer songwriter Iain Matthews embarked on what was to be an epic musical journey. His first solo album ‘Matthews’ Southern Comfort’, released that same year, saw him venturing further away from folk and further into the realms of country rock and Americana, and two further albums released under the Matthews’ Southern Comfort band name cemented a warm, rootsy sound, eventually netting Matthews a UK #1 hit with a cover of Joni Mitchell’s ‘Woodstock’, presented in the mould of the Crosby, Stills, Nash & Young version. For the more casual observer, that will be the recording for which Iain is best known.
CIAO MALZ – Safe Then Sorry EP
On her 2022 EP ‘To Go’, Ciao Malz presented some interesting alt-pop sounds. It’s finest three minutes,‘Your Winner’, introduced listeners to someone who appeared to meld the Fleetwood Mac obsessions of Lissie with the pop of Chvrches. By centring everything around a superb bassline, the light pop sound also shared a great groove, creating a sound upon which singer-songwriter Malia DelaCruz could certainly build. The late period Rilo Kiley influence at the heart of ‘Around’, in particular, proved this was no fluke.