SUNSTORM – The Road To Hell

Between 2006 and 2012, legendary rock vocalist Joe Lynn Turner lent his talents to three great albums by Sunstorm; releases which celebrated his many years on the melodic rock scene as well as added to his impressive catalogue. 2012’s ‘Emotional Fire’ was especially interesting as it revisited Joe’s 80s legacy, presenting covers of songs on which he’d originally contributed backing vocals. In the hands of Sunstorm, Michael Bolton’s ‘Gina’ and ‘You Wouldn’t Know Love’ (a big hit for Cher, and old a final voyage into rock for “old two haircuts” himself) sounded as good as ever. Although 2016’s ‘Edge of Tomorrow’ was an enjoyable record and a worthy addition to the Sunstorm catalogue, it gained more of a mixed response for a couple of reasons: firstly, it had a rockier feel and furthermore, it was effectively Sunstorm in name only – Turner was now fronting a completely different band.

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NAISIAN – Rejoinder EP

‘Rejoinder’ ends a five year haitus for Naisian, but after a minute or so of hitting the play button on their 2018 EP, it seems almost as if the Sheffield metallers have never really been away. The three tracks that make up this absolutely devastating EP come loaded with heaviness, bringing forth a swampy and sludgy sound that often makes the Melvins and Goatsnake sound like mere lightweights.

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THE RAREFLOWERS – The Rareflowers EP

New Jersey’s The Rareflowers began life in 2013 when brothers Jimmy and Kane Maraday met drummer Aaron Gollubier and started experimenting with cassette recordings. Five years on, their debut EP carries the kind of DIY spirit that comes from such basement experiments and the songs very much hark back to the 80s with the light neo-psychedelics of what became dubbed the Paisley Underground scene. In other words, the lighter, floatier end of jangle pop.

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ANDY K. LELAND – Happy Daze EP

Andy K. Leland first came to the world’s attention as one third of Italian/Icelandic alternative rock band My Cruel Goro. Disbanding after just two (excellent) EP releases, the band decided that having members so widespread wasn’t geographically viable and Andy embarked on a solo career. The first fruits of his solo work are minimal. Fans should not expect the full volume Ash-meets-S*M*A*S*H riffage of his previous band. Instead, ‘Happy Daze’ presents Leland with an acoustic guitar and a few microphones in a lo-fi, introspective set up.

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