BLACKTHORNE – We Won’t Be Forgotten: The Blackthorne Anthology

Supergroups rarely last a long time. The combination of various egos usually leads to burnout pretty quickly. In the case of Blackthorne (featuring Graham Bonnet along with members of Quiet Riot, House of Lords and Skull), there wasn’t really anything you’d call genuine longevity, but their course ran a little longer than most. Formed in 1991, they released their debut ‘Afterlife’ in 1993 which led to some success in Japan. Work on a second album was undertaken in the mid-90s, but the band called it a day before the record was ready for release. The tapes remained unreleased until HNE Recordings unearthed them as part of their extensive (and excellent) Graham Bonnet reissue campaign. It’s a shame Blackthorne’s proposed second album couldn’t be heard in 1995, as at least half of it was an improvement over their first release.

Having already released ‘Afterlife’ with a handful of bonus tracks and finally gettiing ‘Blackthorne II: Don’t Kill The Thrill’ out to the fans in 2016, you’d expect that Cherry Red/HNE Recordings would have nothing more to give from Blackthorne’s all too short career, but this compilation (released in October 2019) actually adds a lot more to the band’s recorded legacy. Not so much a career overview with a few unreleased trinkets, this set is actually a vault of demos and alternate takes, peppered with a few album cuts to give a fairer overview of their short life span. Presented among the 44 tracks in this set are 30 unreleased cuts, a couple of which go right back to the band’s origins when the rhythm section featured White Lion men James Lomenzo and Greg D’Angelo. In other words, there’s a huge amount for fans to get their ears around.

Continue reading

MUSCLEGOOSE – 3 Ninjas: High Noon At Musclegoose Mountain

What would happen if you allowed the drummer from garage punk band Wirms a completely free rein to record whatever he wanted with some friends? You’d get a cassette of punk noise, showcasing a handful of songs that take a loose and childish inspiration from various film titles. …And he’d then decide that Musclegoose would make a fitting name.

Bonkers.

Continue reading

MNRVA – Black Sky EP

Formed in South Carolina in 2018, MNRVA brings together the talents of Arcane vocalist/guitarist Byron Hawk and Iron Fist’s Gina Ercoli and Kevin Jennings (drums and bass, respectively) to create an uncompromising sludge metal power trio. Often showing an unhealthy early Melvins and Electric Wizard obsession, their main concern on this debut EP is taking some really heavy riffs and slowly bludgeoning their audience. As heavy as a very heavy thing, of course, that results in a timeless doomy, sludgy and sometimes uncompromising sound that fans of the style will love.

Continue reading

BLACKTHORNE – Blackthorne II: Don’t Kill The Thrill

In 1991, ex-Balance guitarist Bob Kulick teamed up with ex-Rainbow/Alcatrazz vocalist Graham Bonnet, his Alcatrazz mate Jimmy Waldo, Quiet Riot bassist Chuck Wright and sometime W.A.S.P. drummer Frankie Banali and formed metal supergroup Blackthorne. In 1993, the band unleashed ‘Afterlife’, a cliché-ridden debut album that needs to be heard to be believed. Rarely have four such talented musicians come together and produced such a bewildering results. Nevertheless, it was a success in Japan and by by the mid 90s, Blackthorne (minus Wright) had a second album written, demoed and almost ready to go. …And then Bonnet quit. With no band polish up and then promote the recordings, the tapes were shelved by the record company and seemed destined to never see the light of day. On the basis of about half of their debut, that might’ve seemed like a blessing.

Continue reading

VEHEMENTOR – Dungeons Of Grotesque Symmetry

Although on the surface Vehementor’s debut ‘Dungeons of Grotesque Symmetary’ looks like the kind of record aimed squarely at the dyed in the wool death metal fan and pretty much no-one else, the reality is somewhat different. On this album, the Macedonian band mix all manner of extreme metal influences. Huge amounts of melodic death and classic thrash metal meet elements of groove metal and occasional industrial-ish rhythms, resulting in one of the most enjoyable – and filler free – extreme metal discs you could hope to find.

Continue reading