Montreal’s Museums arrived on the shoegaze scene in 2024 with ‘Sink Your Teeth In My Brain’, a two track digital release that captured a wealth of heavily treated guitar sounds and swirling atmospheres rather effectively. Coupled with a strong sense of indie-centric melodies and a clean, almost dream pop-esque vocal, the material was accessible for the style; the production values showed some obvious budgetary limitations, but the band’s bright and breezy style marked them out as an act to keep an ear for in future. Subsequent singles ‘Ur Best’ and ‘In Waves’ continued the streak of great retro sounds. With its fusion of indie and bubblegum pop, and incessant hook – sort of like a collaboration between Velocity Girl and Rilo Kiley – the latter more than suggested that Museums could be capable of delivering something much bigger in time.
Category Archives: Album & EP Reviews
VARIOUS ARTISTS – So High I’ve Been: A European Rock Anthology 1967-1973
When it comes to compilations, the UK rock scene of the late 1960s/early 1970s has been covered extensively – to the point of absolute overkill. It’s easy to feel that this is a part of musical history that no longer needs revisiting, just as many “new” articles on The Beatles, the Stones and Queen now border on being digital landfill. With that in mind, it’s always far more interesting when attentions are turned to overseas acts. Cherry Red’s rather excellent set ‘Living On The Hill’ promised “a Danish underground trip” upon its release in 2020 and subsequently did exactly what it said on the tin, giving the keener rock fan three discs’ worth of genuinely unfamiliar sounds from the North, with Blast Furnace being the compilation’s nearest to a “known” name.
SHANNON CURTIS – 80s Kids
On 2024’s ‘Good To Me’, Shannon Curtis delivered ten slabs of synth pop that sounded so authentically 80s, you might even believe a few of the songs were rarities from the era. With the album released at a time where a lot of musicians appeared to be obsessed with the 90s, this even more retro sound hit like a musical ray of sunshine. At the album’s best, the bright sound – heavily reliant on unnatural sounding keys and a strong vocal – showcased some great choruses. The multi-voiced ‘Serenity’ could’ve been culled from an old teen film soundtrack; ‘Sweat & Butterflies’ worked a pulsing heart that had clearly been inspired by OMD’s ‘If You Leave’ and a couple of Fiction Factory numbers, and the title cut showcased a great contrast between big beats and a more sedate voice, ending the record in a slightly more thoughtful manner. Even with a couple of tunes adding slightly more of a light goth/dreampop reverb, this was a record that offered a lot of entertainment for the 80s obsessed listener.
KURT BAKER – Undertow Afterglow / My Brave Face
Despite being a prolific artist, singer songwriter Kurt Baker experienced a creative lull in 2025. Due to a change in personal circumstances – spearheaded by a massive change of location and a divorce – over the course of the year, he only released one digital single, before bowing out with a contribution to Wicked Cool Records’ Xmas compilation. Eventually buoyed by new writing partnership, his big return with ‘Undertow Afterglow’ puts the Kurt Baker stamp on a new year – and effectively a new beginning – in record time, appearing barely a week into 2026.
RAYON – Shopping / Running
Rayon’s ‘Colour’ album – released in October 2022 – presented twelve tracks of pleasingly angular indie/post rock throughout a vinyl friendly forty minutes. Although there were times when main man Eric Sabatino’s work couldn’t claim to be one hundred percent original, the best bits of that long player were hugely entertaining. The highlights really showed off a band who could work a great riff: ‘Canada’ attacked with a harsh guitar sound coupled with a funky bassline, sounding like a deep cut from XTC’s ‘Drums & Wires’ before introducing a faintly psychedelic vocal; ‘Come Along’ mixed classic indie rock riffs with a finely tuned sinister edge, occasionally sounding like Robyn Hitchcock fronting the early 80s Cure, and ‘Blue Nights’ applied a fierce jangle and contrasted that with a vocal that was far more attuned with a dream pop sound, creating something surprisingly effective.