Between 1996 and 2003, Baltimore punks Huntingtons churned out a string of pop punk and Ramonescore LPs that secured a cult audience. Although never as fondly remembered as some of the scene’s bigger names during that era, their talents for Ramones obsessed riffs were more than obvious and what they lacked in household name status was made up for with industry support. At an early stage in their career, they attracted the attention of Tooth & Nail Records and legendary producer Mass Giorgini of Squirtgun, Lillingtons and Screeching Weasel fame. They also shared stages with Teenage Bottlerocket, MxPx and several other pop punk greats.
Category Archives: Album & EP Reviews
BEATNIK TERMITES – Sweatin’ To The Termites
During their early years, Cleveland pop punk/power pop trio Beatnik Termites were one of those bands that gained a cult following but never seemed to get their full dues. For most people, they will be best known for their contribution to the series of Ramones covers albums, which saw the trio covering Joey & Johnny’s 1981 platter ‘Pleasant Dreams’ in its entirety. It says a lot about the Termites’ relative lack of legacy – especially among UK punk fans – that even that release doesn’t get mentioned anywhere near as much as the Screeching Weasel, Queers, or even The Vinctives’ recordings for the same project. Make no mistake, though, Beatnik Termites are a good band, and their blend of punky power pop, bubblegum and surf rock often suggests they are more broadly talented as the scene’s biggest names. Just one listen to ‘Red Haired Girl’ (from their 2003 swansong ‘Girl Crazy!’) is proof enough. With its mix of Ramones riffs, tight harmonies and shameless barrage of handclaps, it offers a near perfect bubblegum/pop punk showcase in one neat two minute hit.
DEECRACKS – Serious Issues
Over the years, Austrian punks DeeCRACKS have often been a reliable source for good, honest, ragged street punk. Following the release of their ‘Call It A Day’ EP in 2013, the band have gone from strength to strength, but with its combination of straight up punky riffs, nods to 60s surf rock and occasional flirtation with something more commercial, their 2021 release ‘Serious Issues’ is easily one of their best LPs to date. In sixteen songs and less than half an hour, the band’s love of speed and directness is often at the forefront, but sharper songwriting and a few melodic twists also give the album a varied approach ensuring it never becomes stuck in a rut, or worse, sounds like “just another punk/Ramonescore album”. In punk terms, ‘Serious Issues’ is a bit special.
DAVID MYHR – And Now This EP
David Myhr’s second full length solo release (2018’s ‘Lucky Day’) presented a slightly more mature sound for the Swedish singer songwriter. The core of the record still showed off his power pop core – it was easily recognisable as the work of the man who gave the world the brilliant ‘Soundshine’ a couple of years earlier – but there were a couple of deviations into more acoustic-based material and a smoother sound. Despite being a little softer in places, the tunes worked just as well, showing a definite artistic growth as well as an influence from Josh Rouse producer Brad Jones.
The recording sessions were so fruitful that CD buyers were treated to a couple of uncredited bonus tracks. What’s more, a few other great songs were left on the shelf. The 2021 EP release ‘And Now This’ finally makes the remainder of the album sessions material available to all, and amazingly, all four tracks are every equal to the best bits of ‘Lucky Day’ itself.
WATTS – Shady Rock & Rollers
Following the release of their digital EP ‘All Done With Rock N Roll’ in 2017, the members of Watts took a little time out to work on other projects. Over the following two years, drummer John Lynch recorded a new LP with garage rock legends The Neighbourhoods; both he and guitarist John Blout (along with Neighborhoods man David Minehan) contributed to a great solo release from The Dirty Truckers’ Tom Baker, and vocalist Dan Kopko eventually surfaced as a member of a member of The Shang Hi-Los, a brilliant power pop band also featuring The Deadbeat 5’s Jen D’Angora. You could never accuse the band of being lazy but, on top of all of that, several Watts singles appeared digitally via Bandcamp over the course of the period. By giving fans a new track every few months, it really helped to keep the Watts legacy alive during the relative downtime.