LORDS OF BLACK – Alchemy Of Souls, Part II

After his associations with Ritchie Blackmore came to an end, vocalist Ronnie Romero didn’t take any time out to reflect on the loss of his highest profile job to date. Instead, he threw himself further into his work. In 2020 he reconvened with his old band, Lords of Black, and released the heavy, semi-theatrical ‘Alchemy of Souls, Part 1’; gained a job as frontman with the new-look Vandenberg; forged associations with Michael Schenker’s revolving cast of stars, and became a member of Milan Vrabevski’s Intelligent Music Project. For most people, this would already represent too much of a heavy workload, but on top of that, Romero also took on the job of being Joe Lynn Turner’s replacement in the much-loved Sunstorm. Their sixth album ‘Afterlife’ (released in the first half of 2021) was much better than it had any right to be, and cemented Ron’s reputation as a reliable and committed performer. One thing was for certain: he didn’t need Blackmore.

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SAIL – Flood

Although Sail are a predominantly heavy act, a quick dig through their back catalogue shows that the UK riff makers are anything but stuck in their ways. Their material often has a stoner and doom undercurrent, but there are various different avenues taken along the way: 2020’s ‘Mannequin’ single displayed a strong bluesy vibe; the title cut from 2017’s ‘Slumbersong’ took an unexpected detour into shimmering dreampop without losing the band’s generally ominous tone and 2019’s ‘Starve’ mixed desert rock grooves with a pleasingly crashy riff that straddled aggression and melody in the most perfect way. The point is, it sort of doesn’t matter where you drop into the band’s work; if you love a heavy riff, there’s almost something to suit, and you’re almost guaranteed to come away feeling very satisfied.

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JEFF SCOTT SOTO – The Duets Collection, Vol 1

Artists with long careers will inevitably find themselves with their best days behind them. With the passing of time and fading inspiration to contend with, this is only natural. It’s not something that seems to have affected Jeff Scott Soto. In 2020, thirty six years after his breakthrough with Yngwie Malmsteen, he released ‘Wide Awake (In My Dreamland’), one of his finest works to date. He could often be relied upon for a decent record – whether tackling pure melodic rock (2002’s ‘Prism’), unleashing his funky side and inner Prince (1995’s ‘Love Parade’) or fronting something heavier (some great metal albums with Sons of Apollo) – but ‘…Dreamland’ was a cut above.

Given how great that record was, it was a travesty that a global pandemic stopped Jeff taking the songs on the road, but despite the world slowing down, he didn’t stop working. He refocused his attentions and decided to bring the past into the present by re-recording selected tracks from his vast back catalogue with a clutch of the present’s other melodic rock talents. Sometimes reworking the past is a bad idea, especially if the artist isn’t particularly open about allowing other creative souls any real input (Kate Bush, we’re looking at you), but fans need not worry about Jeff tarnishing his already great legacy here. His choice of material is good; his roll-call of friends adds a variety of voices that are complimentary to his own and, regarding a couple of the older songs on the table, there might even be an improvement.

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THE SYN – Flowerman: Rare Blooms From The Syn 1967-69

For many years, psych/prog band The Syn’s recorded output totalled a couple of rare 7” singles. Although much loved by collectors, these recordings remained elusive throughout the 80s and 90s, all too rarely spotted at record fairs or in second hand record shops. As an early vehicle for Yes men Chris Squire, the historical value of the discs was perhaps greater than their monetary value, but they often seemed shrouded in mystery to those who discovered Yes much later. Thankfully, Umbrello Records came to the rescue in the mid noughties when they reissued The Syn’s four original 7” sides along with other period rarities and other recordings, and even though their ‘Original Syn’ compilation was terribly titled and looked cheaply packaged, it would be an invaluable collection filler for those lucky enough to grab the limited edition release.

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