VARIOUS ARTISTS – Once Upon A Time In The Midlands: The Bostin’ Sounds Of Brumrock 1966-1974

When thinking of the rock sounds to emerge from Birmingham and surrounding areas, it’s all too easy to think of Slade and their chart topping stompers, of Roy Wood and his flamboyant take on glam rock, and of heavy metal pioneers Black Sabbath and Judas Priest. All of those bands really helped to put the Midlands on the map – that could never be disputed – but Brum and its surrounding neighbourhoods offered British music so much more throughout the sixties and seventies. ‘Once Upon A Time In The Midlands’ brings together various heroes, forgotten gems, period rarities, and even the occasional hit in a brilliantly compiled 3CD package that’ll educate as much as entertain.

Although the three discs aren’t in a strict chronological order, this collection has a definite flow, moving through psych and beat groups, into a world of seventies rock and finally ending up with the glam-ish sounds of Blackfoot Sue and an early tune from Judas Priest. As always with these sets, though, ‘Bostin’ Sounds’ works best when approached as a curate’s egg, with the listener dropping in at random on a couple of old favourites and discovering something old – yet new – along the way.

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VARIOUS ARTISTS – Animals Reimagined: A Tribute To Pink Floyd

All star prog tributes are hardly a new phenomenon. Robert Berry and Yes man Billy Sherwood have been contributing to such releases since the 90s and it’s often resulted in records made with love. Occasionally, they’ve included a few tracks that’ve become essential collection fillers. There’s a Pink Floyd tribute from the 90s called ‘The Moon Revisited’ that brings together a host of famous faces recreating the monolithic ‘Dark Side of The Moon’ from start to finish. Naturally, the record isn’t as good as the original – nobody ever claimed it would be – but a run of tracks during the second half make it a keeper. World Trade’s take on the instrumental ‘Any Colour You Like’ and Robert Berry’s ‘Brain Damage’, especially, showcase veteran talents able to turn their hands to almost anything with ease.

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DR CHRIS & THE REDEEMERS – Stone Cold Redemption

When a band places a bottle of Makers Mark rather prominently in one of their earliest promotional photos and advertises themselves as a blues band, chances are, you’ll get no big surprises when it comes to the kind of sounds they make. For Dr Chris & The Redeemers, the big twist comes from their location. This band comes well versed in the Texas blues, but deliver their rootsy grooves and Stevie Ray Vaughan inflected riffs straight from the heart of Adelaide. In terms of all round authenticity, though, they hit everything absolutely square on. Their debut album is a great release which doesn’t so much present itself like the sound of 2021, but a brilliant throwback to 1990.

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SCATTERED HAMLET – Stereo Overthrow

Formed in 2010, Scattered Hamlet are a band who combine the old style southern rock riffs heaviness of stoner, and more than occasionally, are keen to attack with the force of Motorhead’s hard edged, mid-tempo tracks. Wavering between elements of Black Label Society and no nonsense rock ‘n’ roll, whilst often sounding like they could drop into ‘Killed By Death’ at any moment, you could certainly say that, in terms of a hard driving outfit, they’ve got most bases covered.

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AFFINITY – Affinity

Back in those pre-internet years, it was often difficult to hear really rare albums. There were a whole world of psych, jazz rock and proto-hard rock LPs that were regularly mentioned in Record Collector magazine that seemed shrouded in mystery. Often issued on the Philips, Deram, Major Minor and Vertigo labels, discs by Head Machine, Elias Hulk, The Open Mind and Second Hand – all now available on CD – were almost the vinyl collector’s equivalent of the Holy Grail.

Another such disc, the one and only album by Affinity, was another highly praised gem from the dawn of the 70s that, at one time, seemed destined to languish in the hazy, distant past. In the mid 90s, a decent vinyl pressing could fetch £40-£50; hardly an impulse purchase, should you stumble across one. A CD repressing from Repertoire Records in 1993 finally meant the album became accessible to an audience who missed the band during their brief lifetime, but a lack of UK release meant this disc was almost as elusive. It wasn’t until 2002 that the Affinity LP was given a long overdue CD release on home turf, but that eagerly awaited edition on Angel Air Records was sourced from under par materials.

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