Released in November 2022 with no hint of promotion, this surprise split release from Get The Fuck Outta Dodge and Das Kapitans is a treat for fans of either band. With a shared label and a shared goal in terms of noise-making, these musical friends have much in common, but scratch beneath the surface and it’s obvious that each band comes with their own very clear musical identity. Das Kapitans mix punk with a lot of very 90s indie rock influences, whilst Dodge play a particularly ferocious brand of lo-fi hardcore. On this split, they’ve chosen to record each others’ material, leading to an experiment that captures both acts in a typically raw mood, but at the same time, adds something new to their world of noise.
Category Archives: Album & EP Reviews
HERON – Empires of Ash
Following a couple of EP releases, Canadian doom/sludge metal merchants Heron found themselves on the roster of bands at the independent Sludgelord Records. The sometime home of Stone Machine Electric, Bible Basher and Coffin Torture, the band would be in good company, and in many ways, associations with such a great label forced them to up their game. Their 2018 LP ‘A Low Winter Sun’ was a masterclass in weighty sounds; its sludge fuelled approach suggested a love of Conan, and it’s purer doom elements drew from Electric Wizard, but for the more finely tuned ear, the record also displayed a strange, deep psych and heavy post rock tone in the guitar work that allowed the extremely heavy sound to appear more cinematic in its own way.
DOT DASH – Madman In The Rain
Following a string of fairly jagged albums that pulled together punk, emo and mod influences, Dot Dash’s sound had a drastic overhaul on their 2018 LP ‘Proto Retro’. The rougher edges were smoothed out and in their place came some hugely melodic power pop. The bulk of the record’s tunes came with a 60s jangle as heard through a 90s filter, sometimes as if stumbling upon deep cuts from Teenage Fanclub; sometimes showing a massive love for Buffalo Tom. The musical changes were all for the better, since no matter where you dropped into the record, it was possible to hear something with huge hooks and a really positive feel.
FASTER PUSSYCAT – Like A Ghost / Pirate Love
Between 1987 and 1992, Faster Pussycat released a trio of major label albums that gained them a lot of very positive press. Between the trash-glam aesthetic of tracks like ‘Bathroom Wall’ and ‘Smash Alley’, the retro Stones-ish love of ‘House of Pain’ and hard funk of ‘Madam Ruby’s Love Boutique’, the band displayed a broad range of talents and influences, often only linked via Taime Downe’s distinctively scratchy vocal.
DANY LAJ & THE LOOKS – You Should Know / I’m So Glad
Dany Laj & The Looks’ fourth album ‘Ten Easy Pieces’ was a masterpiece of pop-rock goodness. One listen to the They Might Be Giants inspired single ‘Don’t Keep Me Guessin’’ was enough to reel in a prospective audience with the catchiest hook of 2021, but the record’s musical gold ran far deeper. Between the energised harmonies of ‘Smoke In The Sun’, the almost Beatle-esque ‘In Other Words’, and the new wave throw back ‘Pick It Up’, the album darted effortlessly between some fairly disparate styles, but Laj’s strong gifts for a melody always acted as the glue holding everything together. Even with ‘Don’t Keep Me Guessin’’ towering above a couple of the album’s lesser cuts, it managed to be one of the year’s best long players.