Between 1987 and 1992, Faster Pussycat released a trio of major label albums that gained them a lot of very positive press. Between the trash-glam aesthetic of tracks like ‘Bathroom Wall’ and ‘Smash Alley’, the retro Stones-ish love of ‘House of Pain’ and hard funk of ‘Madam Ruby’s Love Boutique’, the band displayed a broad range of talents and influences, often only linked via Taime Downe’s distinctively scratchy vocal.