Wax On Water’s full length album ‘The Drip’ (released in June 2022) presented an interesting mix of electronica, light goth and occasional industrial sounds. With a broad but dark sonic palate linked via a strong vocal, the album’s best tracks brought back memories of a vast array of alternative music from the early 90s . With it’s most mechanical bits not too far removed from something you’d find on Trent Reznor’s vanity label Nothing Records, and a more melodic streak presenting itself as if taking a moody swipe at Garbage, it was a recording that managed to mix the arty with a surprisingly commercial edge.
Category Archives: Album & EP Reviews
ORIANTHI – Rock Candy
Orianthi’s 2020 album ‘O’ marked an overdue return for the Australian guitarist. Her first album in seven years and her first for the Frontiers Records label, it appeared during the pandemic lockdown, adding to an ever growing pile of welcome distractions for rock fans the world over. You’d be hard pressed to call it forward looking in any way – the bulk of the music ploughed a furrow where classic 80s melodic rock was very much at the forefront of her semi-bluesy sound, and the video for its second single ‘Impusive’ seemed to want to set the feminist movement back by decades – but, as melodic rock long players go, it was enjoyable enough.
SWEATPANTS PARTY – Sweatpants Party
A new band for 2022, the terribly named Sweatpants Party marks a long overdue return for the almost legendary Kevin Aper. Marketed as sounding “just like The Apers”, fans are automatically given a heads up as to what they can expect, and indeed, the new band’s core sound recycles many elements of Kevin’s past works brilliantly. Although working from a solid pop punk stock, there’s a little more to the Sweatpants, though, since this musical vehicle – teaming Kev with members of Jagger Holly and Stockkampf – takes in bubblegum punk and a little power pop along the way. The focus is on unashamed pop punk and trashy lyrics, of course, and that’s enough to win over The Apers’ entire fan base in a heartbeat.
EDWARD O’CONNELL – Feel Some Love
Edward O’Connell’s third album ‘Feel Some Love’ comes eight years after the excellent ‘Vanishing Act’, but for fans, no matter how much time has passed, it’s the kind of record that’ll hit the spot pretty much instantly. Within a few seconds of the opening track ‘Golden Light’ emerging from the speakers, it almost feels as if O’Connell has never been away. That number’s heavy use of chiming guitars, leading a melody that occasionally sounds as if it could slip into an old Tom Petty tune at the drop of a hat, is typical of the singer-songwriter in that has a sort of timeless quality, especially in the way he’s able to apply a rootsy and friendly vocal to a very bright guitar sound. Some understated harmonies, a hard struck piano, a swirling organ and a Jim Keltner-esque drum part are all on hand to layer a great tune, but everything escalates via a lead guitar break that tips the hat to Roger McGuinn styled melodies. As the final notes fade, there’s a feeling that – at just two minutes and forty two seconds into this album – you’re in more than safe hands.
VARIOUS ARTISTS – A Future Of Bad Men: A Melvins Tribute
Few bands have been more influential to the alternative scene than (the) Melvins. Since their arrival in the early eighties, the noisemakers from Washington have forged an uncompromising musical path which has inspired punk and doom metal bands alike. They’ve encouraged many to twist the elements of rock music into unfathomable shapes. Their early work laid the formations for what many consider “grunge”. Somehow, in the mid 90s, they even managed to score a recording deal with a major label, which inspired them to become even more obtuse, first releasing a single that had a lyric in a made up language (‘Hooch’) and promote a slightly later release with a track that included a drawling vocal, a sludge metal riff and an atonal jazz solo played on the trombone. Even more bizarrely, that single (‘Bar-X The Rocking M’) even had its video shown on MTV. The Melvins’ career has taken many forms, and it’s rarely been pretty, but it has never, ever been dull.