Category Archives: Album & EP Reviews

LORD ELEPHANT – Ultra Soul

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Occasionally, a band name is all you need to gauge what something probably sounds like. Truckfighters and Acid Mammoth are two great examples. Here’s another: Lord Elephant create an absolutely huge sound throughout their second album ‘Ultra Soul’. The record’s seven instrumental numbers often find the Italian band in a weighty frame of mind, bringing a world of riffs that blend doom, stoner metal and deep psych in a way that invites favourable comparisons with Earthless and Karma To Burn, as well as drawing influence from the instrumental elements of Down and Eyehategod – only making those influences feel more intense.

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CAMEL – Earthrise: Live At The Marquee 1974

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In 2023, Universal Music released the ultimate in Camel box sets. ‘Air Born: The Decca Recordings 1973-1984’ brought together all of the band’s official releases from their most commercially successful period, and combined them with a wealth of rare and unreleased material. For the fan who must have everything, it appeared to be a beautiful item – especially with new blu ray audio content and surround mixes bringing a new dimension to some much loved tunes.

As is often the case with such a set, a huge price tag would prove a sticking point for those fans without deep pockets. Consolation would soon come from Cherry Red Records, however, who reissued ‘Camel’, ‘Mirage’ and ‘Music Inspired By The Snow Goose’ as deluxe editions (complete with the blu ray content) a relatively short time later.

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SHADOWBORN – Through The Hourglass EP

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An ominous drone, a piercing sound from a synth and a feeling of rising tension create the ideal way to introduce Shadowborn’s debut EP. In just a few seconds, this gives ‘Through The Hourglass’ a feeling of unease, and the quiet but dark sounds also have the effect of making the subsequent riffs come through with a much bigger punch.

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YEAH, SICK! – Your Herbs And Spices Won’t Save You Now! EP

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Australian “genre-bending” act Yeah, Sick! formed during the lockdown era as a “tongue in cheek experiment that grew into something bigger”. Their debut release ‘Set To Devour Us All!’ presented a wealth of slap bass sounds colliding with muddy guitar work that set up a heavy but very rhythmic sound. The mixture of early 90s funk metal influences and nu-metal ugliness resulted in five tracks that were, at best, hard going. The music might’ve been a little more palatable if Yeah, Sick! were better songwriters. The material felt too frivolous to be taken seriously, but nowhere near amusing enough to sit with any genuine comedy themed acts. Beyond a couple of very easily pleased Mr. Bungle fans, it’s not entirely clear who might have found the EP interesting.

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IQ – Live From London: Camden Palace 1985

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In the 80s, it was common for music shows on TV to be hidden away in a graveyard slot. With almost every household owning a VCR, such things were no longer missable, and for rock fans it became common practice to record shows like The Power Hour and Live From London for weekend viewing. Live From London was particularly interesting. Running between1983-1985, it would show footage of all manner of rock bands – ranging from Husker Du to Uriah Heep – captured at the Camden Palace (now Koko).

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