Real Gone’s End of Year Round-Up 2022

2022 has gone extremely quickly. With most people back at work in their offices and gigs being a regular occurrence, everything has felt far more like those old pre-2020 days. Almost as if to celebrate a shift back towards “normality” (though we’re no means out of the woods with regard to viruses) lots of our favourite bands went into overdrive, and a few of them even produced albums that are up their with their finest work.

Below, you’ll find Real Gone’s ten favourite releases of 2022, along with a few others that really stood out. It really has been a great year for music; some of the stuff we’ve not included was also of a very high standard, and it really felt like there was something new to explore every week.

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The REAL GONE Advent Calendar 2022

As 2022 begins to pull to a close, it seems almost unbelievable we’ve made it through another year in what feels like the blink of an eye. At Real Gone, we’re getting ready to bring you our highlights for 2022, but first, it’s time for our advent calendar!

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Christine McVie: 1943-2022

When people talk about Fleetwood Mac, they’ll often talk about the pop magic that both Stevie Nicks and Lindsey Buckingham brought to the band. As far as UK audiences are concerned, their appointment within the band’s ever-shifting ranks in 1975 brought the band back from a long stretch in the wilderness.

There are very few albums as well known as Fleetwood Mac’s multi-million selling ‘Rumours’, but there was always far more to the band’s “pop years” in the 70s than that omnipresent disc, its self-titled predecessor, and the adventurous ‘Tusk’.

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“It’s Not Our Fault…”: An interview with Get The Fuck Outta Dodge

At the tail end of 2019, Real Gone received an email requesting coverage from a band calling themselves Get The Fuck Outta Dodge. We had no idea what to expect. Within about thirty seconds of hitting the play button, it became clear that Dodge were one of the best bands we’d heard all year. Their lo-fi garage punk was never less than furious and in terms of a DIY set up, their then current EP, ‘We Make The Future Here’ raised the bar for independent noise making. We’ve followed their progress very closely ever since. In 2022, having survived a couple of years in a Covid ridden world, they found themselves in the studio with renowned Sheffield based producer Alan Smyth. In June 2022, James (bass/shouting) and Ren (drums/more shouting) dropped into Real Gone to talk about their whirlwind of work…

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