On January 27 2022, Neil Young’s back catalogue disappeared from Spotify. He justifiably took issue with the streaming giant hosting a podcast by Joe Rogan which spread disinformation about vaccines. “You can have Neil Young or Joe Rogan,” he said. Ultimately, they chose Joe Rogan. Their giving him a platform has created bad publicity, but his nasty work is easy to ignore. Spotify aren’t forcing you to listen to his podcast, of course, just as they’ve not made it a legal requirement to stream a bland piece of music you hate every time you log in. In a free world, we all make our own choices and Neil has made his.
Author Archives: Real Gone
J PROZAC – Building Blocks / Mandy
‘Behind The Mask’, J Prozac’s solo EP from 2018, was a short and sharp punk/Ramonescore gem. By pairing a couple of self-penned tunes with covers of well known Tom Petty and Ramones songs, the sometime Prozacs frontman ensured that his extra-curricular endeavour was as broadly appealing as possible. A full length release from The Prozacs swiftly followed in 2019, further cementing the band’s obsessions with Johnny & Joey, before an excellent thirty three track collection (‘Fan Favs & Wannabe Hits’) gave everyone a golden opportunity to take stock of the band’s progress so far. For those outside Massachusetts, there was every chance that such a compilation acted as a welcome introduction to their work.
FASTER PUSSYCAT – Babylon: The Elektra Years 1987-1992
Before the arrival of grunge, the US was awash with sleazy bands sporting huge hairstyles and huge attitudes. Guns N’ Roses would go on to achieve world domination, and MTV made huge stars out of many others, including Ratt, Motley Crue and Poison. For every band that hit the big time, of course, there were many that didn’t achieve quite the same levels of success. Kik Tracee, Tuff, and Jetboy were bands that very much fell into this category, along with LA’s Faster Pussycat, but even these “also rans” gained more than their fifteen minutes of fame at the height of the music television boom.
RONX – Retrograde EP
Hailing from The Bronx, NY, Ronx bill themselves as a pop punk band influenced by blink-182. Their output is actually far more varied than that, though, and – in ways both good and bad – their 2022 EP ‘Retrograde’ actually presents three tracks that sound like the work of three different bands. Fans of straight up pop punk will discover an instant banger; those with an emo heart will unveil a tune with a fine melodic angst and an important message, and – for their third instalment – Ronx reach deep for a slab of rhythmic pop that it’s hard to imagine any of their pop punk or emo-centric audience will ever truly love. Chances are, they won’t even like it.
Watch: Meat Loaf – Live At Toad’s Place, New Haven, CT 1991
In terms of rock stars, Meat Loaf was unique. A larger than life character whose best music took in elements of hard rock, light opera, pop and prog to create a musical theatre that became the soundtrack for a generation of fans in the late 70s and beyond. So much of Meat’s greatness was enhanced by his collaborators, of course, and when working with Jim Steinman, members of Todd Rundgren’s Utopia and Roy Bittan of Springsteen’s E Street Band on the world dominating ‘Bat Out of Hell’ album, he was a genuine force of nature.