On their 2023 EP, Taxi Girls packed a whole world of distorted and punky riffs into a little over eleven minutes. Sometimes sounding like a Frankenstein creation made from the best elements of Bully, The Soviettes and Shampoo, the material valued abrasiveness over finesse, but every one of those EP tracks served up a fantastic sound from the crossroads of indie and garage punk.
A collaboration between Magenta’s Robert Reed, vocalist Steve Basalmo, and a revolving cast of prog and rock oriented musicians, Chimpan A have a sound that’s varied and complex, but also often accessible. Although their 2020 debut album favoured longer arrangements, their overdue follow up ‘Music Is Art Vol. 1’ is home to a few much stronger, shorter pieces. There are a couple of epic tracks to be found during the eight song journey that blends pop, rock, electronica and prog influences into a smart and seamless menagerie, but the bulk of this long awaited release centres itself a little more around actual songs.
Since their formation in 2018, US desert rock/heavy stoner band Blue Heron have been utterly committed to sharing massive riffs. Although parts of their 2024 full length ‘Everything Fades’ were a little more accessible from a vocal perspective, on a musical level, the album retained the kind of heaviness fans had come to expect, cementing the band’s reputation as one of the underground scene’s best and most intense acts.
Continuing a run of yearly new releases since 2022, ‘Emulations’ is a stop gap affair, combining four newly recorded tracks with a blistering live session, but it shouldn’t be considered a “filler” in any way.
This visit to the Real Gone Singles Bar sees the return of a couple of familiar names – including one that should be known to almost everyone. The choice of music, of course, should be new to most people’s ears. We’ve got a well arranged indie pop number, some fantastic sounding goth-rock, another country tune from a brand new face, and even a really strong world music offering. With tunes covering a broad spectrum of sounds, we hope you’ll find something new to enjoy!
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On his debut album ‘Shadow Work’, singer songwriter Sam Varga made the juxtaposition of angst ridden, emo-centric lyrics and radio friendly melodies appear very natural. Despite the fact the record took all of about four seconds for him to confront his audience with the revelation that he felt like he was “rotting from the inside out” and another couple before dropping an f-bomb for extra angst, the album remained very accessible. At its best, tunes like ‘Stories We Tell’ and ‘Apocalypse’ played like the natural successor to the Ryan Adams best-selling ‘Gold’; ‘Up Down’ took the poppy heart of Simple Plan’s more commercial work and transplanted it into more of a singer songwriter sphere, while the chorus of the brilliant ‘Live Up To It’ gave a confident nod to the more contemporary pop rock of Bleachers. All the while, Varga still managed to sound like his own man – a songwriter with an occasionally sharp tongue, but in possession of an even sharper ear for a great melody.