Belgium’s Missiles of October have been cranking out their own brand of post-hardcore/noise rock since 2012. Approximately five years on from that time, the self-proclaimed “three old guys” are still very much an underground act, gleefully making listeners’ ears bleed whilst recycling various familiar influences. Their 2017 release ‘Better Days’ really drives home their love of retro hardcore, Jesus Lizard-esque angular art rock and more, in a package that some will find hard to swallow and yet others will lap up with twisted merriment.
In the run up to the release of this cassette, Bleeders had been steadily building a following on the live circuit on their home turf of Pennsylvania and the surrounding areas. That sort of makes sense since they have a sound that would surely work much better live; on record, their no-frills, no-wave, distorted, zero budget approach is hellishly ugly. So much so, that it makes label mates The Meltaways seem like a manufactured, multi-million dollar, radio groomed pop rock trio by direct comparison. The recording of ‘Gash’ is so raw and unrelentingly grotesque, it borders on being unlistenable. Looking at it another way, it’s so hard going, that’s an achievement in itself.
Part of Brooklyn’s extensive DIY punk and garage rock scene, The Meltaways are angry. Their self-titled release appeared on Mirror Universe Tapes in the summer of 2016 and thrust the influence of riot-grrrl music from the 90s sharply into the complacent face of the present. Via a recording that sounded like an explosive basement fury channelled into a collective of musical positivity, the trio presented combustible levels of attitude within their socio-political bursts of noise.