The Real Gone End Of Year Round-Up, 2025

We’ve reached the end of another year, and for Real Gone, 2025 was a special one. Not only did we celebrate our sixteenth year online, but we gained a truckload of new and regular supporters – both from an industry perspective and in terms of regular readership. Our visitor stats have seen a huge increase on 2024, and the materials we’ve been sent for review have been more varied than ever.

We’ve heard a lot of enjoyable albums and EPs over the past twelve months, but as is traditional, we’ve whittled our favourites down to ten, and then given a well deserved shout out to a few titles we think are also worth checking out. As always, our picks for the best of the year are limited to releases we actually reviewed – it’s only fair. We hope you’ll check out some of the artists and releases featured below, if you’ve not already done so.

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TRAVELS WITH BRINDLE – No. 1 In Heaven

When covering other people’s material, there’s no point in phoning it in, and creating something that’s a flat but respectable reconstruction. It’s much better to make things your own, and re-imagine everything from the ground up – as with Type O Negative’s ‘Summer Breeze’ and Lalo Schifrin’s frankly bizarre disco rehash of the ‘Jaws theme, just to give a couple of great examples.

This concept isn’t lost on singer songwriter Chelsea Spear and her solo ukulele pop project Travels With Brindle. Their 2025 release ‘Number One In Heaven’ takes the bulk of the Sparks 1979 LP of the same name and melds it in her own image. Taking the six songs and stripping them down to basics, Spear allows for a closer inspection of some basic melodies. But does it work?

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THE REAL GONE SINGLES BAR #70

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the past few weeks. It’s a proper mixed bag this week, with the return of a multi-million selling singer songwriter, who is contrasted by a sharp edged alternative metal track; something that leans towards country rock, the return of a favourite pop vocalist and more besides…

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