Listen: Stephen McCafferty shares new track ‘Debt Collector’

In 2025, Stephen McCafferty released a string of impressive singles. The best of the bunch, ‘I Only Want To Hear Sad Songs’ shared a strong pop rock sound that hinted at a love of The Killers but added a distinctive Scottish accent, while ‘I Am The Buffalo’ took a similar sense of the melodic and added a light folky touch. ‘Rubber Glove’ leant a little further into an indie pop sound, but with the help of a buoyant melody and hooky lead guitar part, created another number that really helped to give the performer’s debut LP ‘Monsters and Lullabies’ a strong musical backbone.

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The Real Gone End Of Year Round-Up, 2025

We’ve reached the end of another year, and for Real Gone, 2025 was a special one. Not only did we celebrate our sixteenth year online, but we gained a truckload of new and regular supporters – both from an industry perspective and in terms of regular readership. Our visitor stats have seen a huge increase on 2024, and the materials we’ve been sent for review have been more varied than ever.

We’ve heard a lot of enjoyable albums and EPs over the past twelve months, but as is traditional, we’ve whittled our favourites down to ten, and then given a well deserved shout out to a few titles we think are also worth checking out. As always, our picks for the best of the year are limited to releases we actually reviewed – it’s only fair. We hope you’ll check out some of the artists and releases featured below, if you’ve not already done so.

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STEPHEN McCAFFERTY – Monsters And Lullabies

Scottish singer songwriter Stephen McCafferty first reached an audience as part of indie rock band Return To The Sun, with whom he gained support from Radio X, while still broadcasting under the XFM name. After the band dissolved, Stephen disappeared. It seemed that, despite support from some high places, he wasn’t going to persue a career in music any longer.

He returned as as solo artist in 2020 with a digital single, ‘Spectre of Light’, but due to everyone being more concerned with a global pandemic and everything closing down, it didn’t appear to make a huge impact. Following another spell out of the spotlight, Stephen re-appeared again in 2024, by which time, the musical landscape looked rather different. His songs, however, remained as solidly written as ever, and his track ‘What Are We Waiting For’ – released digitally in January of that year – re-introduced listeners to a composer capable of a sharing thoughtful lyric, but just as importantly, someone blessed with a melodic ear that could potentially take his new material to an even keener fan base.

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