BEST BOYS ELECTRIC – Ten Years Of Brett Pop Affairs

Best Boys Electric’s 2016 EP ‘Brett Pop Affairs’ flaunted the band’s love of 70s power pop, glam and 90s indie to create a four tracker that was maybe a little ramshackle, but enjoyable. What the tunes occasionally lacked in finesse, they made up for with a truckload of enthusiasm. Regardless of what you thought of the end result, you couldn’t say it wasn’t made with love.

A similar approach is applied to their 2019 vinyl long-player, ‘Ten Years of Brett Pop Affairs’, a sixteen track romp through the band’s love of all things retro. The four EP tracks are reprised here – and as part of a broader musical landscape, they sound a little better – but for those already familiar with the band, naturally, it’ll be the newer tracks providing the biggest draw.

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SUNNYDALES – The Pack EP

California’s Sunnydales might just represent the ultimate collision of Ramones influenced pop punk and retro pop culture. This three piece band take a well worn musical blueprint and apply their love of Joey and Johnny with a bigger love of 90s television hit Buffy The Vampire Slayer. You might think such a concept might be good for one release, but this second EP (released in May 2019) is every bit as good as their debut from the previous year.

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JAMES BASDANIS – Diddycoy EP

A rattle; a cranking sound that suggests revving; muted guitar sounds set against an ominous quiet… At the outset of this EP from fusion musician James Basdanis, things start so disjointedly they give no obvious clue as to where the music will go. After a little more gearing up, Basdanis turns out a few jazzy guitar notes in a melody that strongly suggests a Mediterranean slant, but this isn’t obviously something a world music buff might gravitate towards. Nor is it especially “jazz” in the most traditional sense, but certainly takes in elements of both. Hearing it for the first time, the slow, unfolding melody suggests something from the Frank Gambale back-cat mangled with glee by a Les Claypool project.

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TREVOR AND THE JONESES – Get It! EP

Trevor and The Joneses’ 2012 full length LP ‘There Was Lightning’ was a well-constructed celebration of retro rock. The Vegas band’s fuzzy guitar driven style pulled a bunch of great late 60s and 70s influences together and gave garage band fans a record that blended psych and rock with the best elements of The Stooges, Lou Reed and Neil Young’s Crazy Horse. What it lacked in originality it more than made up for with enthusiasm, and despite being the kind of record that took a while before it found an audience, it had a few very vocal fans. Not least of these was Chris Topham, owner of the independent UK record label Plane Groovy, who picked up the album for a vinyl release in 2014, long before vinyl sales rocketed and twelve inches of shiny black plastic became the hip medium of choice.

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PAVID VERMIN – Cutting Corners

Glenn Robinson is one of the great purveyors of Ramones influenced punk sounds. The Rhode Island musician was previously the drummer with The Prozacs but subsequently used his multi-instrumentalist’s skills to carve out a solo career. Each of his releases offers something to enjoy, but this third album by his “band project” Pavid Vermin (where Robinson plays everything) has the potential to be one of his best. What’s more, ‘Cutting Corners’ isn’t quite everything it appears to be on the surface. A quick look at the track listing suggests a punky romp through the songs from The Beatles’ classic ‘Abbey Road’, but behind the familiar titles lie seventeen of the purest, self-penned pop punk bangers, guaranteed to thrill fans of the style. Titles aside, no further credit goes to Lennon/McCartney.

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