CHINESE TELEPHONES – Outta My Hands EP

Back in the 00’s, US punks Chinese Telephones released a few split EPs and an album on It’s Alive Records (home of Gateway District, The Methadones, City Mouse and others) before calling time before the end of decade. They received some positive press, but in punk terms, never seemed to be mentioned as often as they deserved to be. This had as much to do with an over-subscribed scene as anything else. For those outside of Milwaukee, chances are that the only real encounters you had with the band back then came courtesy of the audio widget on the Last FM website which, in a pre-Spotify age, would happy drop tracks from the Chinese Telephones album between better known material from Teenage Bottlerocket, The Copyrights and The Lawrence Arms.

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STELLA WEMBLEY – Wasting My Time EP

A year on from her unsympathetic reworking of Bowie’s ‘Loving The Alien’, Stella Wembley’s ‘Wasting My Time’ brings the listener more detached post-goth/electronica that listeners will either love or hate. Stella has rarely approached her music in the most user-friendly way – which can be a good thing – and here, her love of rigid rhythms and reverbed vocals goes into overdrive. The track’s blend of robotic beats and strange synth tones sets up something that could loosely be described as goth-disco, like an old Mute Records track remixed by Georgio Moroder, but once you make it past the confronting coldness, there’s something weirdly appealing. The way Wembley shifts between strange croons and stylised yelps just accentuates any surface oddness, whilst the cold music and wantonly mechanical rhythm harks back to an alternative (early) 80s in the best possible way. Yes, this number is likely to be divisive, but at least it makes a definite impression.

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LOOKING GLASS WAR – Where Neon Meets The Rain EP

On this debut EP, Boston’s Looking Glass War aren’t shy in mining the past for some key musical inspirations. Drawing from post punk, goth, melodic shoegaze and dreampop, ‘Where Neon Meets The Rain’ presents four very different songs – each showing a different angle to the band’s retro, riff-based sound – but this is more than a hacked out musical CV. Yes, the songs are all different, but there’s a common musical thread and a very distinctive vocal gluing the pieces together. In terms of debut releases it has a lot of muscle, even if originality often takes a back seat.

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THE REAL GONE SINGLES BAR #20

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. For this twentieth selection, we bring you some light electronica with a souful feel, some sprawling prog rock, a brilliant cover tune, and more besides. As always, we make no apologies for the broad range of styles featured, and we hope you find something to enjoy.

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