In the summer of 2025, producer Charlie Nieland released ‘The Ocean Understands’, a four track EP that took him from the realms of the technical aspects of a behind the scenes role and into the performing spotlight. Mixing elements of dark pop, melodic rock, goth and shoegaze, the material took on a grand scope, and despite often sharing a moody edge, managed to remain very accessible. That’s more than can be said for this album’s opening number.
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OUR SOULS – DIY Misery EP
Towards the end of 2023, Leicester’s Our Souls released ‘I Won’t Tell You The Same Lie’, a five track blast of indie punk that valued high octane sounds, and also demonstrated some sharp but pleasingly ragged playing. In approximately fifteen minutes, the DIY release showed why the band made perfect label-mates with the hugely prolific Das Kapitans and garage punk heroes Get The Fuck Outta Dodge.
SOFTSUN – Eternal Sunrise
The debut album from desert rock duo SoftSun was one of the greatest releases of 2024. Guitarist Gary Arce had already put his name to some really enjoyable work with improvisational collective Yawning Balch over the course of the year leading up to SoftSun’s unveiling but, as part of that duo, there was something truly special about the way he was able to weave deep psych and desert rock sounds against Pia Isaaksen’s vocals. It was a release that set a high bar, but also one that suggested a “lightning in a bottle” moment; that a follow up might not follow especially quickly…or even at all.
DUCK & COVER – No Hounds In The Cluster
Between 2020 and 2025, Boston band Duck & Cover released a succession of digital singles and EPs that showcased their sometimes ragged, sometimes retro, often enjoyable rock sounds very effectively. The material didn’t necessarily reach beyond a cult audience, but the band’s various college rock and noisy power pop influences often struck a chord with those who stumbled across the band’s work.
2025’s semi-punky ‘Bored of The City’ was actually one of Duck & Cover’s finest numbers to date, and this didn’t escape the notice of Rum Bar Records. Taking the digital wares from that six year stretch and adding a previously unreleased nugget, they gave the material its first physical send off at the end of that year with the fourteen track ‘No Hounds In The Cluster’ – a collection that plays brilliantly as an album in its own right.
STRAENGE – Filthy Microbes
In the middle of the first pandemic lockdown of 2020, Japanese thrashers Straenge released their second demo, the ‘Thrash Medicine’ EP. Its five tracks demonstrated a brilliant, very technical approach to heaviness, often combining the speed of ‘Seasons In The Abyss’ era Slayer with the anger of early Kreator. On a musical level, the band sounded great. Vocally, things were a different matter: the material featured an ugly growl that fused the guttural edge of death metal with the power of hardcore, which, coupled with an obvious Japanese accent, made all of the lyrics inaudible. Assuming you could approach the material purely on its instrumentalists’ merits, of course, this underground band often sounded very cool.