Mercury’s Antennae are one of those bands who have a natural affinity with a very 80s inspired goth sound. Their ‘Among The Black Trees’ album (released in March 2025) presented nine tracks with a cold yet inviting sound, often heavily dipped in the waters of nostalgia. However, with goth sounds so well played, the release was impossible to resist. The Sisters of Mercy-esque ‘The Reflecting Skin’, Cocteau Twins tinged ‘As I Lay Hidden (Deer Island)’ and the stripped back, haunting tones of ‘Language of The Stars’, in particular, stood out, forming a trio of tracks that were among the band’s very best.
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THE MORNING LINE – 90s Pickup / This Lens
Across two enjoyable releases, ‘North’ (2019) and ‘Scene’ (2022), San Francisco’s The Morning Line celebrated a very 90s brand of pop rock, with an array of songs driven by jangling guitars and harmonious vocals. Often sounding like a cross between peak Connells and the lighter elements of Soul Asylum circa ‘Candy From A Stranger’, their best songs had the power to uplift, and in the case of ‘Looking Right At You’ and ‘Make Believe’ (very much highlights from ‘Scene’) even shared a nostalgic quality, despite being newly written.
SHADOWBORN – Through The Hourglass EP
An ominous drone, a piercing sound from a synth and a feeling of rising tension create the ideal way to introduce Shadowborn’s debut EP. In just a few seconds, this gives ‘Through The Hourglass’ a feeling of unease, and the quiet but dark sounds also have the effect of making the subsequent riffs come through with a much bigger punch.
Charlie Nieland shares new video for ‘Today’
Charlie Nieland’s ‘Stories From The Borderlines’ was one of 2025’s best albums. Nieland’s willingness to jump between genres and blend styles created an always interesting listen, and whether he was heard channelling 80s goth and indie sounds or paying tribute to 70s glam, the amount of love he applied to the record’s creation was more than clear.
DRIVE THRU FACELIFT – Control / Call Him Daddy
Nilagia McCoy can often be found fronting Boston based garage pop/power pop/alternative band The Jacklights. In the main, their Drive Thru Facelift project couldn’t be any more different, stylistically speaking. Billed as “two humans and a drum machine writing a soundtrack for our dystopian times”, the duo explores a sound that blends industrial loops with deep, goth influenced bass grooves, creating a dark yet danceable sound that has a heart in the very early 90s.