Rarely was a band more aptly named. It takes about three seconds before this second EP from Australia’s Skullcave sets about caving in listeners’ skulls. These guys not only know their way around an enormous riff, but also know how to make the simplest riffs sound truly frightening.
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1968 – 1968 EP
1967’s supposed summer of love and its psychedelic, swirling colourful world was never going to last forever. 1968, by contrast, was darker and less flamboyant, a time of unrest. Students rioted in Paris, while the psychedelic pop of yesteryear was beginning to wane in favour of harder stuff. Often abreast of the mood of the pop-culture sphere, we only have to look at The Beatles output from this time to get a brief glimpse of the general changes in attitude. In a short time, they’d gone from lush, complex pop to a starker and altogether colder musical mood, a good chunk of the fourth side of their sprawling double set from 1968 devoted to near-impenetrable tape loops and cut-ups. Hendrix, too, had experimented with denser sounds on ‘Electric Ladyland’ than either of his previous two albums, while The Doors’ general circus of dystopia was at its peak. 1968 was arguably the year when pop begat hard rock. Fitting, then, with a whole arsenal of retro sounds at their disposal, that this trio from Cheshire should choose “1968” as their band name. Their sounds look backwards a time when the blues came with a mass of distortion and the world-changing Black Sabbath were lurking just over the horizon.
DIRE WOLF – Black Death EP
As much as their choice of band name might suggest, Brisbane’s Dire Wolf probably don’t have much time for the Grateful Dead’s brand of Americana. Formed in 2011, the band’s chief goal was to become one of the city’s heaviest bands – and if they couldn’t claim such a feat previously, their 2015 EP release ‘Black Death’ must set them pretty close. In just under twelve minutes, the band lay down a brutal hardcore sound, uncompromising yet thrilling, in a manner that fuses influences from Dillinger Escape Plan with a whole lot more besides.
New trip-hop release from Italy
While most people will associate trip-hop with its formative years in the 1990s and the breakthrough artists Massive Attack, Portishead and Tricky, the electronic subgenre never really went away. Italian band Ophiuco break an eight year silence and have a new release out this week via Seahorse Recordings entitled ‘Hybrid’. Canadian blog Northern Transmissions says this release “pays homage to classic trip-hop sounds” and you can find out for yourselves by visiting the link below.
ANGRY SNOWMANS – What Makes An Elf Build Toys? EP
Angry Snowmans are potentially the funniest thing to emerge on the punk scene since Butt Trumpet released their debut LP in the mid 90s. This Victoria, BC based band have been dropping festive EP releases with tunes satirising Poison Idea, Adolescents and The Germs and reworking familiar punk tunes for yuletide amusement since 2008. There has been much to enjoy, but their twisting of Buzzcocks ‘Orgasm Addict’ into an ode to the Toblerone was particularly inspired. You’d think they’d have run out of steam after six years – let’s face it, most of Me First & The Gimme Gimmes stuff after album three is either pretty shoddy or just plain tired – but the Angry Snowmans’ 2015 release ‘What Makes An Elf Build Toys?’ could be their one of their best yet. While Brian Setzer is the undisputed crowd-pleaser when it comes to snow, sleigh bells, guitars and all-round xmas jollity, your holidays aren’t complete without this.