There are far too many bands and artists out there claiming to understand blues music, but in reality are merely rock bands whom add a dash of the blues to their bombast. Whether the sounds of The Union, Blues Pills, Big River or even Blues Traveler, these bands’ blues always comes from a watered down and very white perspective; music channelled through Free or many a Woodstock jam band throwback. Jack Broadbent is different. A bearded, rural Englishman and a one-man powerhouse of the slide guitar, his music takes on far purer blues intents than so many of his contemporaries. The sleeve of 2015’s full length album ‘Along The Trail of Tears’ saw Broadbent recreating one of the only two known photographs of blues pioneer Robert Johnson and its eleven songs brought far more of an authentic back porch blues in places than most other blues releases of the day.
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EIGHT DAYS – More To Life EP
The formation of Eight Days dates back to the band’s school years, but like so many, they wouldn’t be ready to take their music careers seriously until a fair while later. Refusing to take the easy way out, they spurned the obvious punk pop sounds practised by so many and set about creating a ferocious sound that fused hardcore punk and metal. Although this too had been done by many bands, by the time of Eight Days’ debut release in 2014, it was nowhere as predictable – or stale, even – as the more common, identikit pop-punk mould had become. The band then toured extensively, picking up fans along the way and found time to plug a recording gap with two new songs and a demo on their ‘Surrounded By Ones Who Want Me To Fail’ release in 2015. In the first half of 2016, Eight Days recorded four new tracks; these were eventually released as the ‘More To Life’ EP in the autumn.
CONTESSA & THE SQUIRES – Stomp The Bomb EP
Occupying a musical space somewhere between noisier rockabilly revivalism and the more accessible end of the psychobilly movement, Italian outfit Contessa & The Squires very much bring a party atmosphere on their third EP, 2016’s ‘Stomp The Bomb’. On these tracks, they don’t just stomp, but twist and shake with a whiskey-fuelled retro cool that should appeal to those who loved the Stray Cats, Polecats and The Jets back in 1981. If you’re approaching this hoping for a Meteors or Brains level of intensity, however, it’s very much time for you to step aside. The Squires are high energy, but in direct comparison to some of the scene’s more intense bands, accessible melodies are far more at the forefront here.
GLENN ROBINSON – Unimpressed
Glenn Robinson’s 2013 release ‘Modern Mistakes‘ is an underground classic. On that album, the ex-Prozacs man delivered several first class punk pop nuggets which, tempered with the performer’s love of old school power pop, resulted in a record that kind of defied the passing of time. The Ramonescore influences were channelled through various 90s punk outfits; the occasional nods to skinny ties and power pop borne from something a little older, but whatever the style, Robinson’s energy and enthusiasm always shone through. His following EP – ‘Everything Is Stupid‘, released in March 2015 – perhaps seemed to be that album’s leftovers, but was no less enjoyable for sticking to tried and tested formulae.
THREE DIMENSIONAL TANX – Attack
With an inventive approach that combines indie rock with psychedelia and a touch of 70s Krautrock, sci-fi obsessed Lancaster band Three Dimensional Tanks fill their fourth album ‘Attack’ with tunes that can be sharp and upbeat, lax and hazy and sometimes mange to be both at once. For lovers of music driven by retro organ work, it’s a recording that needs to be heard, since the energy these guys sum up is really impressive.