THE REAL GONE SINGLES BAR #2

Welcome back to the Real Gone Singles Bar, the place where we explore some of the single MP3s that have landed in our inbox over the previous few weeks. As always, there has been absolutely no shortage of digital tracks coming our way, and this time, our assortment brings you some great shoegaze, massive stoner metal riffs, a singer songwriter or two, some big rock sounds, and even something from the rootsy end of the musical spectrum. We hope you find something to enjoy, and our digging to find the best of a current crop inspires you to explore these bands and artists a little further.

*

Continue reading

RUSSIAN BATHS – Done And Dead / Rise Again

Russian Baths first appeared on the alternative music scene back in 2016 with a two track release pairing their shoegaze anthem ‘Ambulance’ with the slightly more melodic indie/goth workout ‘Ghost’. It was immediately clear that the Brooklyn based duo were well versed in some great retro sounds, since the tracks conveyed a massive love for Jesus & Mary Chain, as well as slightly more melodic 4AD fare like Cranes and Slowdive. They were the kind of band that older indie fans could take to heart with immediate effect, but although their sounds drew strong links with a shoegaze past, they also seemed like a band who – much like A Place To Bury Strangers – would be able to take such heavily distorted drones seem wholly relevant in the present.

Continue reading

BLACKLAB – In A Bizarre Dream

Blacklab’s debut album ‘Under The Strawberry Moons’ was – and remains – a brilliantly intense listen. By taking classic stoner and doom riffs and layering them with distortion, the noise making duo hit upon a sound that fused elements of Acid King and Boris with the ugly sonic textures of Melvins. By then layering that with extra distortion and adding a semi-detached, distinctly Japanese vocal, the album became bigger than the sum of its parts; a sludgy yet strangely alluring listen that really raised the bar for massive, dark – and sometimes ugly – riffs.

Their follow up, 2020’s ‘Abyss’, flaunted a slightly different guitar tone in places, but didn’t skim on the intensity. In toning down the bass in more than a few places, it actually made Blacklab seem even more uncompromising as they continued to wheel out their massive slabs of distortion. Also by cranking the speed in a couple of places (as with ‘Forked Road’, one of the record’s stand out tracks), it showed the band as being capable of tackling some seriously intense garage punk, which provided a superb counterpart to their doom laden core.

Continue reading

A PLACE TO BURY STRANGERS – Hologram EP

Following the release of the live ‘Fuzz Club Session’, things seemed to go a little quiet for A Place To Bury Strangers, at least in terms of press coverage, but the band carried on making underground sounds. The self-released ‘Ice Cream’ 7” continued their onslaught on the shoegaze scene, and even a drastic line-up change at the beginning of 2021 couldn’t suppress their commitment to being “New York’s loudest band”.

Continue reading