GRAMMA VEDETTA – Hum Of The Machine

Somewhere around the peak of the first UK pandemic lockdown, Gramma Vedetta released their second EP. More than just another short collection of rock tracks, the London based outfit’s ‘A.C.I.D. Compliant’ actually acted as a snapshot in time, with the brilliant ‘Lucid Dream’ providing a musical diary of those tumultuous days in a very direct fashion. Backing up that obvious highlight, listeners were also reminded of their psychedelic and stoner influences, leading to a short but very effective listen.

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GRAHAM BONNET BAND – Day Out In Nowhere

Graham Bonnet has always been prolific. Since the release of his self-titled album in 1977, he has barely stopped recording and touring, but the few years in the run up to this third release from Graham Bonnet Band has seen Skegness’s most famous export take on a phenomenal amount of work for a man in his 70s.

Beginning with 2016’s double set ‘The Book’, the veteran vocalist began a late career gold run, with that album presenting some massive new tunes alongside some tight re-workings from his past, creating a great release suitable for both the big fan and the more curious listener. He then played a one off show with a reformed Alcatrazz in Japan, and recorded with both Michael Schenker and Ezoo, before 2018’s ‘Meanwhile…Back In The Garage’ saw Graham and his band sometimes rocking out in a more casual way, but still delivering the goods in terms of riffs and hooks. At a point where most performers might consider stepping back to admire their handiwork, Bonnet then revived Alcatrazz again, toured, and eventually released the critically acclaimed ‘Born Innocent’ – the first new studio work from the band in almost thirty five years.

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THE VIOLETS – Smoke, Mirrors & Other Half Truths

Long before Matt Cahill became vocalist/guitarist with Evoletah, he was a member of Aussie rock band The Violets. The Violets received critical acclaim in Australia, but like so many other bands from the southern hemisphere, they didn’t really achieve any commercial success overseas. They were always a band Matt looked upon favourably, but the more the years passed and the more Evoletah covered new musical ground – since 2012, they’ve evolved from being an alternative rock band, into an almost proggy affair, taking in elements of pop, jazz and electronica along the way – the more it seemed as if The Violets would be forever associated with the past.

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JEFF SCOTT SOTO – Complicated

Over thirty years after his breakthrough with Yngwie Malmsteen, Jeff Scott Soto released one of the greatest albums of his career. At the point where most veteran vocalists could be accused of going through the motions, 2020’s ‘Wide Awake In My Dreamland’ was a rich, melodic treat; the kind of album that reminded audiences why they still loved AOR and melodic rock – despite many of the scene’s releases being so workmanlike. It also provided solid evidence that Soto still was still in possession of a fantastic set of vocal pipes. The global pandemic meant the album couldn’t be toured in the usual way, but Jeff filled the time with a surprise release, ‘The Duets Collection, Vol. 1’ a few months later, delighting the fans and cementing his place as one of AOR’s most beloved talents.

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JATK – Shut Up And Be The Light

Since the release of their 2019 EP, JATK – a band featuring Matt Jatkola and a revolving cast of friends – has slowly built a solid online following. A series of digital singles released throughout the lockdowns of 2020 and ’21 showcased some great and fuzzy, retro rock music, but also seemed unafraid to throw a few pop influences into the mix. This showed a band who were keen to avoid easy labelling; a band starting out on an adventurous path, and a band who had the potential to deliver a rich and varied full length release somewhere down the track. Simply put, JATK quickly marked themselves out as a very cool collective.

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