THE REAL GONE SINGLES BAR #22

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. As always, the amount of submissions has been staggering, and we’ve cherry picked some of our favourite tracks for your enjoyment. This time around, we’ve got a soundtrack worthy tune, some top notch power pop, a fine tribute to a Boston heroine, and more besides. We hope you find something to enjoy!

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THE REAL GONE SINGLES BAR #21

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. We’re happy to share a typically mixed batch this time around. You’ll find the return of an underground rock band, a brilliant track loaded with harmonies that draws influence from the Laurel Canyon scene, a tune that goes deeply into an Americana sound, a piece of modern metal and more besides… As always, these are just eight picks from the mountain of material that’s come our way, but we think you’ll find something new to enjoy.

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THE GREAT AFFAIRS – Sleepwalker

Nashville’s Great Affairs have released some really enjoyable material over the years. Just as importantly, with the help of line-up changes bringing different talents to the table, they’ve also grown as a band. Their second album ‘Ricky Took The Wheels’ paraded the band as fairly obsessed with The Black Crowes; ‘Happy Endings’ appeared to have a bigger interest in Americana; later works – largely due to second vocalist/drummer Kenny Wright’s arrival – introduced more grit, adding a Stones-ish/Faces colourant to the band’s musical palate. No matter what the musical mood, though, a Great Affairs release has guaranteed a selection of great songs. Even ‘Everybody Moves, Nobody Gets Hurt’ – an album released during a very troubled 2020, and capturing the band on autopilot in some ways – had its own charm.

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ELECTRIC SIX – Turquoise

It’s unbelievable to think that ‘Turquoise’ is Electric Six’s nineteenth studio album [or twentieth, if you count the ‘Streets of Gold’ covers collection, which the band don’t seem to, since it wasn’t even mentioned at the gigs played in the month of release, and nothing played from it], but Dick Valentine and his revolving cast of disco-rock oddballs have been cranking out albums year after year. Not that the record buying public or the press have always noticed. What’s more, the bulk of ‘Turquoise’ is great. It isn’t the sound of a veteran band phoning in their musical spoils. It isn’t hacked out product from a band all too readily dismissed as a cheap novelty. Yes, it’s trashy, but always in the best possible way.

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