At the end of 2012, UK melodic prog rockers The Room released their debut album ‘Open Fire’. Its mix of pompy melodic rock with proggy flourishes really struck a chord with some listeners and in the live setting, the band really excelled. Their level of professionalism was hardly surprising given the seasoned musicians involved (vocalist Martin Wilson and guitarist Steve Anderson had previous links with Grey Lady Down), but it was also good to hear a bigger focus on chorus based material, even if the band sometimes insisted on keeping a strong hold onto epic track lengths.
Tag Archives: rock
ALL THAT’S LEFT – All That’s Left EP
From Ontario, All That’s Left are a five piece rock band who clearly carry within them a restless spirit. The three songs on their debut EP present the work of a very talented band, while simultaneously sounding like a bunch of guys whom haven’t quite found their niche. That said, all three songs are enjoyable if listened to in isolation – they just don’t necessarily belong together.
Debut video from Edenthorn
UK alt-melodic rockers Edenthorn are about to unleash their debut full length release ‘The Maze’. First, they’ve released their first ever promo video, a clip which captures the Durham based quartet in top form and in arty black and white. You can see the official clip for ‘Hideout’ below.
BILLY SHERWOOD – Citizen
In 2015, multi-instrumentalist Billy Sherwood found himself ahead of a rather daunting task. He was hand picked by his close friend, Mr. Chris Squire, to be the bass man for progressive rock legends Yes, after Squire – founder member and only constant – discovered his ongoing fight against leukemia would soon be lost. It was obviously a job he’d would rather not have, but given the circumstances, he was the most obvious and sympathetic choice. In many ways, the only choice. Sherwood’s links with Yes go back a long way, of course: he’d previously been involved with the band in an on/off role since the turn of the 90s, if anyone could fill the void and at least have half a chance of fan acceptance, it would be Billy Sherwood. Looking back even farther, Sherwood’s own music with Lodgic and World Trade had showed parallels with the more commercial sounds of Yes. The 1989 World Trade debut, especially, often sounded like the album Yes might have unleashed after ‘Big Generator’ had they continued along the shiny, techy, AOR-prog path.
THE ROOM – Open Fire
In the 1990s, British progressive rockers Grey Lady Down released a few very enjoyable discs. Their second album, ‘Forces’, is one of the best cult releases of the era, chock full of fine music. With his slightly warbly vocal style, Martin Wilson often found himself in the “acquired taste” category, but if nothing else, his performances always made GLD’s work instantly recognisable.