Tag Archives: punk ‘n’ roll

THE BLACK HALOS – Geisterbahn II EP

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When you think about Canadian punk, there are a few names that instantly spring to mind. NoMeansNo and D.O.A. are the most famous of punk’s first wave; Comeback Kid and Cancer Bats are among the top tier of the twenty first century crop. Whilst Propagandhi are arguably the most famous exponent of Canadian punk in the 90s, The Black Halos made an impact in Vancouver between 1993-2009 – enough to get signed to the then very much in vogue Sub Pop label and to work with legendary producer Jack Endino.

The Black Halos looked more towards Johnny Thunders, New York Dolls and The Stooges for their core influences – something which, during that period, was very much a sidestep from the usual Ramones or hardcore influences dominant in the punk scene. The love for trashy rock so obviously helped guitarist Rich Jones become a natural fit with Ginger Wildheart’s band upon his relocation to the UK after the band’s split.

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HEMBREE AND THE SATAN SISTERS – F.Y.F. EP

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Formed at the tail end of 2017, Hembree And The Satan Sisters was borne from frontman Zachary M. Hembree’s desires to record more punk oriented material. Teaming up with ex-members of Guff and Burns Like Fire, The Satan Sisters finds Hembree (ex Nuclear Blast signings Toro) opting for speed and crunch over traditional heaviness and their debut release is…immense. Packing nine tracks in under twenty minutes, the EP format suits the band extremely well, allowing their music to greet the listener with a genuine sucker punch.

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THE PEAWEES – Dead End City

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Formed in the mid 90s as a punk outfit, The Peawees quickly established themselves as a band to look out for on the European scene. Over the next few years, they became musically stronger and eventually injected their sound with some good old rock ‘n’ roll attitude. A firm fan favourite, their third album ‘Dead End City’ was issued on Stardumb Records in 2001. The first pressing sold out in record time; a second pressing sold out very quickly and a vinyl reissue on Stardumb featuring bonus tracks was snapped up by eager fans, always keen for a Peawees fix. Although considered one of the band’s very best albums and a European punk classic, it took until 2019 for the album to gain a CD reissue and a US release…

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MAN-EATERS – Man-Eaters EP

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Man-Eaters are a hardcore punk band bringing together ex-members of Culo and Bleeding Gums. As you might expect from that heritage, their debut cassette isn’t light and frothy, or yet another release by an identikit pop-punk/Ramonescore act. Throughout its half-dozen tracks, speed is of the essence; but more than that, this Chicago quartet brings a vast amount of musical power to their work, creating an EP of adrenaline charged ugliness that’ll almost definitely appeal to lovers of Motorhead, Speedealer and early Electric Frankenstein.

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BLACK HEART BREAKERS – Rotting Out EP

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Formed in 2014, things seemed to come together quickly for Australia’s Black Heart Breakers. Within the first few years of their existence, the punk/punk ‘n’ roll quartet had already opened for punk royalty Marky Ramone, Ruts DC and Stiff Little Fingers. Such good fortune allowed the band to fly halfway across the world to record their 2018 EP at the legendary Blasting Room studios, owned by Descendents’ Bill Stevenson. So much material to come from that studio has a great, full sound and ‘Rotting Out’ is no exception. Given the place of its recording, it might not be a complete coincidence that the EP shares its name with a Descendents track, though perhaps no further connections should be sought.

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