ENUFF Z’NUFF – Finer Than Sin

Enuff Z’Nuff were once one of melodic rock’s greatest bands. Their first three albums are almost perfect distillations of AOR, power pop and glam, all wrapped in an oversized tye dye bubble. The band celebrated a brightly coloured world at a time when such things were in danger of being unfashionable, and their Cheap Trick meets Elvis Costello meets Poison sound made them square pegs in round holes, but in terms of crafting a melodic hook, the Chip Z’Nuff and Donnie Vie songwriting team were second to none.

A little over twenty years on from their classic ‘Strength’ album, Enuff Z’Nuff are a band largely trading off a well known name. As proved by their ‘Brainwashed Generation’ album from 2020, that doesn’t mean that Chip and his faceless hired hands aren’t capable of knocking out a decent tune or four, but that’s just it. Enuff Z’Nuff albums have long felt like a “knocked out” product rather than a work of art. A few good songs are propped up by second rate material and covers – occasionally even leftovers – in the name of a new record. They’ve lost the craftsmanship and consistency of old. Not to mention most of the production values.

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EDWARD O’CONNELL – Feel Some Love

Edward O’Connell’s third album ‘Feel Some Love’ comes eight years after the excellent ‘Vanishing Act’, but for fans, no matter how much time has passed, it’s the kind of record that’ll hit the spot pretty much instantly. Within a few seconds of the opening track ‘Golden Light’ emerging from the speakers, it almost feels as if O’Connell has never been away. That number’s heavy use of chiming guitars, leading a melody that occasionally sounds as if it could slip into an old Tom Petty tune at the drop of a hat, is typical of the singer-songwriter in that has a sort of timeless quality, especially in the way he’s able to apply a rootsy and friendly vocal to a very bright guitar sound. Some understated harmonies, a hard struck piano, a swirling organ and a Jim Keltner-esque drum part are all on hand to layer a great tune, but everything escalates via a lead guitar break that tips the hat to Roger McGuinn styled melodies. As the final notes fade, there’s a feeling that – at just two minutes and forty two seconds into this album – you’re in more than safe hands.

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PAT TODD & THE RANKOUTSIDERS – Tell Us All A Story / Prison Of Love

Pat Todd first came to prominence with the Lazy Cowgirls in the 70s, but has fronted The Rankoutsiders since 2004. This accompaniment to his ‘Blues, Soul & Rock and Roll’ EP pairs a new Rankoutsiders recording with a cover tune that’s somehow been on Todd’s “to do” list for decades. In doing so, it marries the past and present, neatly drawing a line under a long overdue project whilst simultaneously looking forward.

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J PROZAC – Won’t Let Go

When J Prozac released the ‘Building Blocks’ single in January 2022, it felt as if the punk musician was on the cusp of releasing some of the best music of his career. In a little over two minutes, that track made old school pop punk sound vital again thanks to some classic sounding riffs and a massive chorus that the likes of The Mr T Experience would have taken to glory in their 90s prime. Even J’s slightly gruff voice couldn’t keep the track’s bubblegum-ish traits in check, and overall, it supplied big thrills in such a way that proved classic pop punk will never die.

Its parent album ‘Won’t Let Go’ very much delivers on that track’s huge promise, but isn’t necessarily the straight up punk record that fans are expecting. Within its eleven songs, Prozac steers through punk and pop punk moods with ease, takes in some ragged heartland rock, and has even been unafraid to chuck in a ballad. It might make the album seem a little more scattershot to an outsider, but nothing could be further from the truth. With the help of massive hook after massive hook, J hits the mark pretty much every time – and there are even instances where the material is great enough to rival ‘Building Blocks’ in terms of that all important memorability factor.

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