Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. We offer a great selection this time around, taking in power pop, something synth based, some retro sounds leaning towards the goth-esque, a massively talented singer songwriter…and more besides. Hopefully, as usual, something new will catch your ear and encourage you to dig a little deeper!
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Ever since the release of their ‘In Gallows By Mass’ EP in 2017, Sheffield’s Ba’al have always been committed to pushing the boundaries of metal. That EP’s three tracks explored the extreme end of post-metal riffing, doom laden sounds, and even dropped in some black metal vocals for good measure. With a few melodic twists that explored a slightly more commercial goth based sound with clean vocals, there were concessions to some great melodies too, but didn’t offer anything particularly accessible to those not into extreme sounds.
This EP from East Anglian noise-makers Soviet Films breaks a period of relative silence from the band. It might only feature a quartet of tunes – on the surface, a small amount of new music for a two year wait – but ‘Four’ presents a more epic sounding band, enjoying a more adventurous approach to arrangement than before, if indeed that were possible. The featured material represents everything fans could want, and music with the ability to unnerve new listeners in the best possible way.
With every new album from The Fierce And The Dead, there have been changes to the band’s sound. The now classic ‘Spooky Action’ took the experimentation of their earlier ‘If It Carries On Like This, We’re Moving To Morecambe’ and added extra layers. On tunes like the title cut and the now classic ‘Ark’, the lighter guitar tones from Matt Stevens gave the material a quality that was pleasingly playful. A few years down the line, the band’s breakthrough album ‘The Euphoric’ was heavier in places, but in others, sounded more accessible and tuneful than The Fierce And The Dead had ever been before, without losing too much of their recognisable sound.
It took underground metal act Naisian five years to follow up their ‘Monocle’ release, but 2018’s ‘Rejoinder’ EP was an amazing disc. In three songs, the band explored a whole world of doom, sludge and angry sounds, often doing more in short four minute bursts than some bands manage over the course of a whole side of vinyl.