In the summer of 2025, Lunison released ‘Fakepink’, a debut album that showcased a variety of rock and pop styles over the course of a very tight half an hour. There were moments when the record sounded like the work of a couple of different bands, but due to the obvious love the band showed for their work, the potential lack of flow never hampered the listening enjoyment.
Scottish singer songwriter Stephen McCafferty is one of the best artists to emerge in 2025. He’s released a succession of great singles, showing off a writing talent that refuses to be pigeonholed.
Helmed by multi-instrumentalist Chris Dicksheid, Side Project Skip’s debut EP ‘Fast Falls & Hard Landings’ – released in 2021 – found the sometime Mediocre Friends musician sidelining the sounds of late 80s college rock and exploring retro sounds of another kind. The recordings presented stripped back semi-acoustic material that had a very DIY feel, but at their best – as heard on the very strong ‘Sunsets On Rooftops’ – a love for bands like Toad The Wet Sprocket was evident, creating an intimate listen that shone a light on Chris’s songwriting in a pleasing way.
Every visit to the Real Gone Singles Bar promises some interesting musical treats, but this time around, we’ve featured what we believe are a couple of the year’s best tracks. We’ve got adult pop from a singer songwriter who’s previously worked with Paul Weller, some fine Americana, the return of one of the UK’s best alternative rock acts, a slice of melodic jazz funk, and more besides. Heading into the last quarter of 2025, the new music continues to be of a superb standard! As always, we hope you find something new to enjoy…
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Earlier in 2025, Chicago’s Push Puppets issued their second album ‘Tethered Together’. Largely the brainchild of multi-instrumentalist/songwriter/producer Erich Specht, the record provides a listen that’s much richer than first impressions might suggest. Working from a solid rock pop base, the album takes in elements of old school college rock, strong orchestrations, and even a pinch of classic sounding prog via its guitar work. It’s very much the kind of album that sounds much better over time.