The first three Honeymoon Suite albums are an essential part of any decent melodic rock/AOR album collection. Songs like ‘New Girl Now’, ‘Feel It Again’, ‘Bad Attitude’ and ‘Lookin’ Out For Number One’ should have made them as big as Journey and Survivor, but outside of the US and Canada, the band never achieved any more than cult status. Any relative lack of success elsewhere wasn’t for the want of trying, however. Millions of people have actually heard Honeymoon Suite without realising it, since their ‘Lethal Weapon’ appeared on the soundtrack of the film of the same name in 1987. Unfortunately, the end credits failed to mention this…robbing the band of some very easy publicity.
Tag Archives: melodic rock
GRAND – Second To None
Grand’s debut album was one of the best AOR albums of 2022. Seemingly out of nowhere, the Swedish band dropped a record that encapsulated some of the very best sounds from an unfashionable genre. The songs shared strong influences from the likes of Work of Art and Lionville, but with the help from a dash of pop and some absolutely killer choruses, Grand made a well worn style feel a little perkier than most.
GOTUS – Gotus
Gotus? In terms of band names, that’s pretty ugly. It certainly isn’t terrible – that would be reserved for the likes of Smoking Gives You Big Tits, Dohny Jepp, and Fuck Yeah Dinosaurs, all of which not only have the misfortune to exist, but also the distinction of somehow being better than anything else those bands could come up with – but it certainly doesn’t inspire. It was chosen with solid reasoning, however: it’s a portmanteau designed to advertise the fact that this European supergroup features members of Gotthard and Krokus. That should be enough alone to secure the melodic rockers a decent audience, but in many ways, the biggest draw here is their choice of vocalist.
FATE – If Not For The Devil
In the minds of many, Danish rockers Fate will always be best remembered for being “that band that previously featured Mattius Eklundh on guitar”. When it comes to guitar based histrionics, Eklundh’s best work is hard to beat. On the first two albums released by his subsequent band Freak Kitchen, he managed to construct riffs that blended the grunge of Alice In Chains with the bendy jazz of a mid 70s Zappa and add the more bizarre elements of Steve Vai, but still end up with something strangely accessible and melodic. His guitar instrumental albums feature jaw-dropping sounds that are guaranteed to make the listener wonder how the hell he actually achieves some of his best tricks, and ‘Freak Guitar: The Road Less Travelled’ features the most insane version of ‘Smoke On The Water’ you’re ever likely to hear.
MORPHEUS PROJECT – On The Edge
Masterminded by Mustapha Khetty, the Morpheus Project involves a revolving cast of musicians helping to bring his songs to life. This seven track release follows 2021’s ‘Mosaick’ and brings another concept album into the world, and its songs happily shift between classic rock, AOR and melodic metal, showcasing the fact that Khetty’s compositional skills – although shamelessly retro – straddle a broad spectrum of rock styles. That freewheeling approach means that ‘On The Edge’ could be the kind of album that’ll strike a chord with lovers of the pompier elements of bands like Asia at times, but those fans are unlikely to enjoy the more metallic output, whilst those who like a big helping of proggy metal are unlikely to gravitate towards the more 80s aspects of the album. In trying to please both camps, Khetty risks pleasing no-one in the long term – and that’s a pity, as there’s some fine musicianship and a few strong melodies here.