Tag Archives: melodic metal

THE BIG DEAL – Electrified

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Serbian band The Big Deal released a very confident debut in 2022’s ‘First Bite’. Although their music wasn’t particularly original, the album’s best tracks showcased talented musicians, capable of sharing a huge sound, and whose brand of melodic rock and metal consistently hit the mark with strong callbacks to Pretty Maids and other Euro fare.

Following the album’s release, guitarist Srdjan Brankovic made a great contribution to Ronnie Romero’s ‘Raised On Radio’, but then seemed to disappear. Considering he guested on a number of albums up to this point, his relative quietness came as a surprise, but his fans will certainly welcome his return here, and find plenty to enjoy within his work on this second release from The Big Deal. Much like before, the best material places Brankovic’s guitar playing rather highly in the end mix, but there’s very much the feeling that this is a genuine band project, rather than merely just being the Srdjan show with a few in-house hired hands.

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IAN BLURTON’S FUTURE NOW – Crimes Of The City

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Ian Blurton’s 2019 album ‘Signals Through The Flames’ presented nine tracks of well crafted melodic hard rock and metal. The performer’s old soul brought a classic sound to the fore, with tracks that took influence from Black Sabbath (‘The March of Mars’), Blue Oyster Cult (‘ICQ’), ‘The Cage’ era Tygers of Pan Tang, and most notably on album standout ‘Days Will Remain’, a hefty nod to the vintage sounds of Judas Priest from 1978.

‘Crimes of The City’, the second release under the band name Ian Blurton’s Future Now (following 2022’s ‘Second Skin’), owes a similar debt to various classic rock and metal influences, but if anything, is even more effective. Delivering ten riff filled numbers in a little over half an hour, it leaves nothing to chance and no room for obvious filler.

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THE REAL GONE SINGLES BAR #82

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This visit to the Singles Bar shares a whole wealth of inspiring sounds. Within the eight picks, you’ll find an unexpected tribute to easy listening from a familiar name, some contemporary French pop, something with a country rock influence from Australia, and a new twist on an old classic. You’ll also discover a couple of superb underground rock tunes that represent the heart of Real Gone’s regular coverage. As always, we hope you’ll find something new to enjoy…

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SUNSTORM – Restless Fight

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When Joe Lynn Turner left Sunstorm it was truly the end of an era. The arrival of the always busy Ronnie Romero allowed the band to explore a harder sound on 2021’s ‘Afterlife’ and 2022’s ‘Brothers In Arms’, but they essentially sounded like a different band. They were still capable of enjoyable tunes, but for those who’d enjoyed hearing Joe belt out classic AOR tunes like ‘Gina’ (originally recorded by Michael Bolton before he turned his back on rock music in favour of an easy listening crowd) and ‘You Wouldn’t Know Love’ (a staple from Cher’s rock period), the “new” Sunstorm might not have always hit the mark.

The band’s eighth studio album ‘Restless Fight’ could easily have had its name inspired by Sunstorm’s inner turmoil. The only musician on this record to have appeared on a prior Sunstorm disc is Romero – the golden boy of the Frontiers Records stable – who with three years loyal service can now consider himself a Sunstorm veteran. Everyone else has been a member of this band since 2023. The record label obviously considers the Sunstorm name to be of some bankable value, even if, on paper, this seems a little too close to “Rod Evans’ New Deep Purple” for comfort. Moving on from any quibbles as to how this could possibly be anything more than another Ronnie Romero album, on its own terms, most of ‘Restless Fight’ is actually great. Far better than it had any real right to be.

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Watch: The Rattlebacks return with new video ‘Waste’

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Those who’ve been keeping a close eye on Brighton’s The Rattlebacks throughout 2024 will have witnessed a band seemingly going from strength to strength. Each of the singles released from their forthcoming album has found the band sounding much more confident than before. Blending elements of melodic hard rock and a pinch of grunginess, the band’s best songs have conveyed a broad sound, and with ‘Dementia Lounge’ especially, The Rattlebacks’ ability to combine absolutely killer late 80s/early 90s riffs with a vocal that celebrates a classic rock approach reached its peak.

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